The long shot of the opening has almost exploded, from the street to everyone in the pub, the shot outlines the entire 70s. When the loud music fades away, the calm music brings out the helplessness of everyone after returning home, throwing clothes outside the camera, the indoor shooting method here is completely worth learning, the three groups of characters in the tavern, it turns out that besides the gorgeous outside, the total There is the embarrassment of being strong from the outside and doing things in the middle. The three axes of food, eating, drinking, back, and Anderson's mirror movement, can only be described as terrible. The 27-year-old "Boogie Nights" is young and promising. At 1 hour and 10 minutes, like a previous shot, there was a strange flickering to show the appearance of the characters. Anderson's humor is hard to touch, and Don Cheadle's anachronistic outfits. Problems have appeared, and there are many unique skills, but the rhythm in the mid-term is obviously slowed down and not compact. So pta is just a hero, far from an emperor, his skills can be copied and learned, the pseudo-record in the middle of suddenly looking at the camera is quite interesting, and it is the character who says "Can you watch the camera", the middle narrative is completely replaced by the pseudo-record . The beater and the beaten have worked together. When Cheadle went to buy donuts, the camera was given from the window, where the protagonist's face and movement were seen, so anxious, something was bound to happen, but it happened to be the front, not the back. , so it's not the people in the car that have the problem, but the scene. It ends with the same soundtrack, long takes and lines.
He uses his skills so well, and his storytelling is so good, but in his shots, something is missing, something timeless.
Anderson is an expert on filmmaking, not a guru
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