Another wave of cultural export

Christina 2022-03-21 09:01:51

1 In Nazi culture, the idea of ​​Dr. Ella and others using giant beasts to eliminate fart people to maintain ecological balance (Shangmin can take the raptor to enjoy the behemoth fighting online) is different from the Nazi eradication of low-end population to maintain the advanced nature and purity of civilization. 2 Notre Dame's public opinion, Serizawa wants to be friends with giant beasts one by one. Seeing that friends are coming, he immediately blesses them with weapons? Or the male protagonist who hates giant beasts the most and asks to put down his weapon to show friendship? 3 Escape from culture, monarchs in their heyday have prepared underground fortresses to preserve civilization continuation. 4 Deterrence by force, American soldiers are everywhere, and those around the world who want to be a monster with the United States should be careful. New weapons and fighter jets are not a joke. 5 Beautify the war, the behemoth is basically the representative of the US military in the world. In the movie, the pot is divided very well. American companies support giant beasts in the world. If the situation cannot be controlled, the US military will come forward to eliminate the thugs, perfect! After all, that's what they do in reality. The beautiful fight scenes in the movie are great to watch, but who remembers the researcher who was wiped out in Antarctica? The citizen who didn't escape when Raton flapped his wings? The common people who died because of giant beasts swept the world? At the moment when the giant beast was born, the protagonists stopped and marveled, and the researcher who had to feast his eyes on the day of his death. A new democratic revolution has begun, and new leeks can be harvested. The leeks are blooming with a touch of democratic green joy.

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Extended Reading
  • Carli 2022-03-25 09:01:08

    A very cliché family setting, combined with monster duels. The foreshadowing is quite long, and the human scenes are still not good-looking! The villain's logic is inexplicable, and Dad's protagonist's halo is also very unreasonable - neither can play nor a key role in solving puzzles. The monster appeared, the picture looks good, and the mood is also there - especially the scene of the three-headed dragon Ghidorah standing on the volcano, which is quite imposing! The special effects scene is huge, and the monsters are constantly fighting! The problem is that there are too many monster battles. Godzilla and Ghidorah have faced each other several times. They lack levels and differences. They are muscle fights and energy! I looked a little tired afterward. Why does Godzilla want to defend human beings desperately and tear Ghidorah; why does Mothra help Godzilla. These explanations are just a few words, very fragmentary. It would be nice if it was clear that there were Rescue and Adventist groups of monsters - er, I mean, Earth and Alien! In order to make this series develop, Legend/Warner did not hesitate to use all the big moves in this one, but it will not be easy to develop later. In the next movie, how can King Kong, who can only fight meleely and can be severely damaged by human weapons, fight it?

  • Ali 2022-04-24 07:01:06

    This is how real monster movies should be, cross-species, big fights

Godzilla: King of the Monsters quotes

  • Mark Russell: [almost whispering] Open the shields.

    Dr. Rick Stanton: [loudly] Oh yeah, sure, let's bring him in for a beer! You outta your goddamn mind?

    Mark Russell: [almost whispering] Let him know we're not a threat. Open the shields.

    [pause]

    Dr. Ishiro Serizawa: [to Stanton] Do it.

  • Dr. Emma Russell: Just like how a forest fire replenishes the soil or how a volcano creates new land, we have seen signs that these creatures will do the same. San Francisco, Las Vegas, wherever the Titans go, life follows, triggered by their radiation.