the movie and the novel

Edgardo 2022-02-07 14:53:07

1. The plot introduction of this movie published here is too bad, and it just talks nonsense without understanding the plot at all.
2. This novel is great. Both English and Chinese translations are good. Although the cover of Yilin hardcover is ugly, the introduction is terrible.
3. THE FILM COMPRESSIONS THE FICTION GREATLY. In addition, I feel that the director has not grasped the style and spirit of the novel very well... Art plays an important role in the original novel, but not in the film. Plus the casting issue... the only one and the worst: Renée Zellweger. It feels like she's a far cry from the elegant but fragile actress described in the novel.
4. But because I like novels too much, I still have a good impression of this movie. The music at the end of the credits, safe and sound, is particularly beautiful. Another surprise is that the end credit music of k-pax is also it. Both the novel and the movie of the same name are fantastic. (Look at the remake level of others...)
5. If you buy English novels, it is best to use the cover of the first edition, which is beautiful and subtle. The latter version was replaced with a movie poster in order to match the movie promotion. A little regret.

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Extended Reading
  • Keith 2022-03-15 09:01:10

    woman/mother and daughter/love or life . Unprepared for a life that requires her own commitment at a young age like hers, she is learning to be a good mother. During her upbringing, during her mother's studies, she lost the chance to meet her father, lost some fragmentary memories of her mother, and questioned her own love.

  • Afton 2022-03-26 09:01:13

    Beautiful, dangerous, and proud

White Oleander quotes

  • Astrid: You're either an artist or you're not. You are.

  • Astrid: Everybody asks why I started at the end and worked back to the beginning, the reason is simple, I couldn't understand the beginning until I had reached the end. There were too many pieces of the puzzle missing, too much you would never tell. I could sell these things. People want to buy them, but I'd set all this on fire first. She'd like that, that's what she would do. She'd make it just to burn it. I couldn't afford this one, but the beginning deserves something special. But how do I show that nothing, not a taste, not a smell, not even the color of the sky, has ever been as clear and sharp as it was when I belonged to her. I don't know how to express the being with someone so dangerous is the last time I felt safe...