All of Them Witches

Abagail 2022-03-17 09:01:03

Looking at Polanski, it feels like watching Cork in the West End, and you can imagine how beautiful this feeling is.

But Polanski's tragic fate makes it easy for you to tell the difference. Especially the beauty under his lens is described as cruel.

Fragility is the surface, but the inner rock is tough. It's not two sides that exist at the same time, it's a process of growth. The extreme contrast can create a devilish effect, but it is holy and unstained.

Rosemary, exercising a forced mission. Not only biological mission, but also religious conspiracy. Layer by layer tightly wrapped in mysterious witchcraft. No one can be trusted - bedsiders for fame and fortune, doctors to control, religious groups to watch. Trusted people are far out of quarantine, or persecuted.

The mother, the little Jenny or Andy we never met, was a child of Satan. You are still a mother anyway. Your ignorance is exploited, and your unintentional statement about cutting your hair short is despised. They are the shadows that hang over you, and you are only one person. You, who are fragile, have become strong for a mission that no one knows where it came from, which is tragic.

All of them Witches.

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Extended Reading
  • Jayce 2022-03-26 09:01:03

    The horror of "birth" or the lack of love in the relationship, "Rosemary" appropriates Satanist mysticism to women's fear of men (penis). A horrific event can take place not in a shadowy black and white room, but in the relationship between a middle-class couple and their neighbors, as shown in the first skyscape, a sunny corner of New York with hidden Gothic architecture. White was transformed from complete black, and in that ritual "conception", the soft and wrong line of sight created a "half-dream and half-awake" state and delusion, making these mysterious existences plausible. The implication: this is still an introverted psychoanalytic film.

  • Curtis 2022-04-23 07:01:26

    65/100 A desperate housewife who hopes to use fertility to save her marriage and gain attention, her innocence and horror are all annoying, but at the same time you have to admit that in the same social environment, your coping may be worse. It is so important for the heroine to represent women in the film, but she encounters the greatest contempt, which completely reflects the social reality.

Rosemary's Baby quotes

  • Roman Castevet: To 1966! The year One.

  • [First lines]

    Mr. Nicklas: Are you a doctor?

    Guy Woodhouse: Yes. Yes.

    Rosemary Woodhouse: He's an actor.

    Mr. Nicklas: Oh, an actor. We're very popular with actors. Have I, uh, seen you in anything?

    Guy Woodhouse: Well ,let's see, I-I did "Hamlet" a while back, didn't I, Liz? And then we did "The, uh, The Sandpiper" and then...

    Rosemary Woodhouse: He's joking. He was in "Luther" and "Nobody Loves an Albatross" and a lot of television plays and commercials.

    Mr. Nicklas: Well, that's where the money is, isn't it? Commercials?

    Guy Woodhouse: And the artistic thrills, too!