Beneath too many metaphors, there are more doubts

Benjamin 2022-03-17 09:01:04

#SIFF2020#

2020/08/02 Us 2.5/5

I was very much looking forward to this movie. I think the movie showcases good shots and a spooky vibe, and I feel Peele's subtle homage to previous horror films even more. However, the story itself is weak and a little confusing.

The biggest concern for these main characters, as well as the audience, is why these replicants (called The Tethered in the film) are attacking the human world. So we thought about the answers to these questions almost from the start, and when those answers were actually delivered, it was very unsatisfactory.

The logic (or lack thereof) of The Tethered's existence and motives is so confusing that it ultimately undermines the film's final conclusion because it leaves so many holes in the story that it needs to be answered.

If Peele removed the explanatory elements about Tethered's existence, function, etc., it would have been a better story in my opinion. It could be a survival horror film and leave more of an opportunity for viewers to imagine and think about the how and why, which might even leave Peele with some good symbolism etc. Not to mention that it would make the final conclusion all the more shocking, convincing and thought-provoking, and the audience will be talking about it in all the best ways for a long time. Instead, we're left with many drawing holes in the explanation.

All in all, as an independent film, it's really good, but I have my doubts about its authenticity.

Also, I really don't think it can or shouldn't be compared to Get Out as they are two completely different movies, both in genre and overall style. "Us" is a horror movie, and "Get Out" is a social thriller. So even though they are from the same director, it's not fair to have them compete with each other or put them in the same environment. I feel like anyone who wants to do this is going to end up disappointed with this movie no matter what.

I can understand the goals and metaphors Peele is trying to achieve, but he is too flat.

In text form at the beginning of the film, is "Thousands of tunnels in the world. Who knows what tunnels are in them". This is the only interpretation of the movie, an interpretation of a cloned civilization in which 6 million Tethereds live in underground tunnels. When the movie ends and it's pieced together like this, it makes for a silly and absurd overarching plot.

Now, these Tethereds do refer to themselves as shadows, as they are sometimes forced to mimic the activities of the cloned. Oddly enough, that selective and inconsistent way in the past hurts several scenes in the movie. But the rest of the movie is just about 6 million Tethered escaping from the tunnel and killing their prototypes. Once they did, they held hands and formed a line across the United States. Isn't this more of a performance art than a movie?

The only things that can be acknowledged are the brilliant acting, the right music and the dark humor. However, none of this will solve the horrific plot that ends with a pointless twist. Like the pigmented cherry on top of the chocolate cake, sweet and tasteless.

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Extended Reading
  • Devonte 2022-03-23 09:01:39

    Jordan Peel is really "political" from the bottom of his heart, and he firmly writes about political ecology with horror and horror. US refers to the United States. Shadows and real human beings write binary opposition, see-saw, entanglement and tear. The story is far worse than "Escape from Death", and the ideology is as critical as ever, but many of the metaphors in this work rely on the "over interpretation" of the viewers.

  • Annetta 2022-03-23 09:01:39

    【A】Oscar BW reservation. --"What are you people?" --"We are Americans." America, that is, United States, that is, US, "we". In terms of racial issues, Get Out uses black-and-white contrast to [direct] shooting, while Us uses black-black contrast to [fold] shooting: From an early age to replace the real "shadow" with a good growth environment, he will grow up and be born. The people on the earth are the same. This is a stark question of white sovereignty—is your high social status really because you were born better than us? When the "shadow" of a woman who has feminist thoughts but also undergoes plastic surgery in order to be beautiful, scratches her face with a knife, another meaning of "we" also appears: the real body (external) life is bright and beautiful, the shadow ( The inner) spiritual world is empty. Isn't this just saying "us"? Jordan Peel is not only a director who can play otherworldly movies, he is also an original speculator.

Us quotes

  • Red: but the soul remains one

  • Kitty Tyler: Ophelia, call the police.

    Ophelia: OK. Playing "Fuck tha Police" by N.W.A.