Beneath too many metaphors, there are more doubts

Benjamin 2022-03-17 09:01:04

#SIFF2020#

2020/08/02 Us 2.5/5

I was very much looking forward to this movie. I think the movie showcases good shots and a spooky vibe, and I feel Peele's subtle homage to previous horror films even more. However, the story itself is weak and a little confusing.

The biggest concern for these main characters, as well as the audience, is why these replicants (called The Tethered in the film) are attacking the human world. So we thought about the answers to these questions almost from the start, and when those answers were actually delivered, it was very unsatisfactory.

The logic (or lack thereof) of The Tethered's existence and motives is so confusing that it ultimately undermines the film's final conclusion because it leaves so many holes in the story that it needs to be answered.

If Peele removed the explanatory elements about Tethered's existence, function, etc., it would have been a better story in my opinion. It could be a survival horror film and leave more of an opportunity for viewers to imagine and think about the how and why, which might even leave Peele with some good symbolism etc. Not to mention that it would make the final conclusion all the more shocking, convincing and thought-provoking, and the audience will be talking about it in all the best ways for a long time. Instead, we're left with many drawing holes in the explanation.

All in all, as an independent film, it's really good, but I have my doubts about its authenticity.

Also, I really don't think it can or shouldn't be compared to Get Out as they are two completely different movies, both in genre and overall style. "Us" is a horror movie, and "Get Out" is a social thriller. So even though they are from the same director, it's not fair to have them compete with each other or put them in the same environment. I feel like anyone who wants to do this is going to end up disappointed with this movie no matter what.

I can understand the goals and metaphors Peele is trying to achieve, but he is too flat.

In text form at the beginning of the film, is "Thousands of tunnels in the world. Who knows what tunnels are in them". This is the only interpretation of the movie, an interpretation of a cloned civilization in which 6 million Tethereds live in underground tunnels. When the movie ends and it's pieced together like this, it makes for a silly and absurd overarching plot.

Now, these Tethereds do refer to themselves as shadows, as they are sometimes forced to mimic the activities of the cloned. Oddly enough, that selective and inconsistent way in the past hurts several scenes in the movie. But the rest of the movie is just about 6 million Tethered escaping from the tunnel and killing their prototypes. Once they did, they held hands and formed a line across the United States. Isn't this more of a performance art than a movie?

The only things that can be acknowledged are the brilliant acting, the right music and the dark humor. However, none of this will solve the horrific plot that ends with a pointless twist. Like the pigmented cherry on top of the chocolate cake, sweet and tasteless.

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Extended Reading
  • Curtis 2022-03-22 09:01:34

    As far as horror films are concerned, the atmosphere is great, the unknown horror is humorous, and the humor is bloody, the story is exquisite and complete, and the flipping is also good. In terms of meaning, it is also very rich, about society, about class... As for who "we" are, remember that the co-writer said at the SXSW premiere: This movie is actually about our country, about ourselves, too much At that time, we are all afraid of others, afraid that they will kill us or take our jobs. What I want to say is that these demons are our own faces, and the evil is actually ourselves.

  • Ervin 2022-04-24 07:01:05

    Whether or not the stark conceptuality in Jordan Peele's works is simply a rude racial political discourse or a more ambiguous and profound allegory, it is undeniable that this ingenious desire for expression is enough to differentiate him from other purely commercial differentiated image makers. Of course, sometimes excessive use of humorous bridges to complete the story progress and lack of more thoughtful narrative structure and control currently seems to be a shortcoming of him.

Us quotes

  • Adelaide Wilson: Where is he?

    Red: How it must have been to grow up with the sky. To feel the sun, the wind, the trees. But your people took it for granted. We're human too, you know. Eyes, teeth, hands, blood. Exactly like you. And yet, it was humans that built this place. I believe they figured out how to make a copy of the body, but not the soul. The soul remains one, shared by two. They created the Tethered so they could use them to control the ones above. Like puppets. But they failed and they abandoned the Tethered. For generations, the Tethered continued without direction. They all went mad down here. And then, there was us. You remember? We were born special. God brought us together that night. I never stop thinking about you. How things could have been. How you could have taken me with you. Years after we met, the miracle happened. That's when I saw God and he showed me my path. You felt it, too. The end of our dance, the Tethered saw that I was different, that I would deliver them from this misery. I found my faith and I begin to prepare. It took years to plan. Everything had to be perfect. I didn't just need to kill you. I needed to make a statement that the whole world would see. It's our time now. Our time up there. And to think, if it weren't for you, I never would have danced at all.

  • Jason Wilson: There's a Family in our driveway!

    Gabe Wilson: Hold on. It's just a family. You scared of a family?

    Jason Wilson: ...A boogie man's family.