"I want to eat a mango."

Candice 2022-03-10 08:01:26

I really like the use of food in several places in the film: from the very beginning, the queen was bored and chewed and quickly ate the plates of exquisite dishes brought to her (an unnamed aristocratic lady who attended the meeting also complained to the waiter who collected the plates, " I haven't finished eating yet!" She also immediately said, "This meal is a lot better"; when she called Abdul's companion, who was wearing a Scottish highland outfit and carrying a plate, in the wild wind and dark clouds, like a cardamom girl cheerfully said that she would come again. Two pieces; and then she, as the supreme ruler of the Empire on which the sun never sets, ordered Ouchi with a look of dignity and pride: "I want to eat a mango." Food has power. People take food as their heaven, and so is Jun — when Victoria began to express a strong desire to take a bite of a food, it was her rekindled passion for "living" that supported her desire; The right mango is the best metaphor for this passion, golden, heavy, full of vitality from heaven and earth. It is precisely because of this that when a mango whose appearance and texture are unsatisfactory is presented to the Queen in a beautiful box, she will be so dissatisfied (the Duchess's acting skills? At a glance, the audience can feel that she is interested in the Queen. Says it's not a big deal to be angry about, but she's genuinely unhappy)

After talking about the advantages, let's talk about the disadvantages - the biggest problem of the film is that the ability of the two leading actors to interpret the characters is not equal, resulting in the richness of the Queen's role, while the Abdul role lacks foundation and is not convincing. The rivalry between the two is like a seesaw, one end is always upside down and the other is calm, very awkward ?

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Extended Reading
  • Theresa 2022-03-22 09:02:57

    Victoria's final rebellion. But it's too simplistic

  • Obie 2022-03-25 09:01:22

    A feeling that Qianlong painted taxpayers' money blindly for the sake of Concubine Xiang. . . ? ?

Victoria & Abdul quotes

  • [as Queen Victoria reaches for her stamp, Abdul grabs it for her instead]

    Queen Victoria: Thank you, Mr...

    Abdul Karim: Abdul. Abdul Karim.

    [Queen Victoria continues to write her letters]

    Abdul Karim: I am always writing.

    [Queen Victoria looks at him]

    Abdul Karim: In India, I'm writing, a-all day, every day.

    Queen Victoria: So in India, you are not a servant?

    Abdul Karim: No. In India, I'm writing in my very big book.

    Queen Victoria: You're writing a book?

    Abdul Karim: Yes. I'm writing every name, who they are, what they have done. This is my life. Every day, I'm writing, from morning to night.

    Queen Victoria: And this is fiction?

    Abdul Karim: No. It is the very truth.

    Queen Victoria: I don't understand. If you are an author, why are you here, uh, presenting me with the m... uh, with the m...

    Abdul Karim: Mo-Mohur.

    [Queen Victoria nods]

    Abdul Karim: It is my humble privilege to serve Her Majesty.

    [Queen Victoria smiles, then continues to write her letters]

    Abdul Karim: I was the one who chose your carpets.

    Queen Victoria: Carpets?

    Abdul Karim: Yes. The Viceroy asked Mr. Tyler, sir, but actually, it was me. Y-you have to have a very good eye for the carpets. Uh, like...

    [walks to the carpet in front of the desk]

    Abdul Karim: This is a very nice one, for example. Very, very tight knots. The art of carpets, uh, came to India from Persia with the great Emperor Akbar. The s-skill of a carpet is to bring all the different kinds of threads together and weave something we can all stand on.

    Queen Victoria: You seem to know a great deal about it.

    Abdul Karim: My family were carpet makers, but now I write in the book. Life is like a carpet. We weave in and out to make a pattern.

    Queen Victoria: That is a very beautiful image.

    Abdul Karim: Look. Here is the bird of freedom, caught forever in the design.

    Queen Victoria: So, in India, you are a poet?

    Abdul Karim: No. In India, I make a ledger of the prisoners.

    Queen Victoria: We are all prisoners, Mr. Karim.

  • Sir Henry Ponsonby: To celebrate the completion of the Durbar Room, a little surprise, Your Majesty.

    [Queen Victoria is presented with a mango in a box]

    Queen Victoria: What is it?

    Sir Henry Ponsonby: A mango, Your Majesty.

    Abdul Karim: One moment, Your Majesty.

    [Abdul looks at the mango and presses it, some juice sticking to his finger]

    Abdul Karim: Uh, it-it's... off.

    Queen Victoria: Sir Henry, this mango is off.

    [servant closes the mango box and backs away]

    Sir Henry Ponsonby: I-I'm terribly sorry, Your Majesty.