Men see doves, women see spiders in webs. The man who was killed took the initiative to kiss the woman, that's why the man was crying, his desire was the man who was killed. The man dressed up that girl was actually himself courting the murdered man he liked. A man knocking on the sandbag is also angry that the man he likes wants to do it with a woman. In the end, the man and the woman left, perhaps saying that real emotion is greater than the pursuit of desire. The final escape should be escape defined and interpreted.
Desire for love—a knowledge that we can’t fully grasp, something we don’t recognize that has more mystery than the pursuit of desire?
Is the killing of women a social success in shaping individual gender? The male protagonist can only be male, and he cannot have the female subject side. There is sex at the end, but it doesn't seem to say that. Whether love is done, or said to do. How can love itself be completed? Did that woman really have a desire for a corpse? The interpretation of this film may be really too broad.
Ou Rong, the most obsessed piece at present, is waiting for a second brush.
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