Hercules at the Crossroads

Elizabeth 2022-01-26 08:02:37

I want to look at this story from this perspective: it's a coming-of-age story, a man's coming-of-age story.
Men's stories are always inseparable from women. There are two women here. Like the two women who came to Hercules, they came to Ben. The story of Hercules has no ending, and no one knows which one he chose. Light and sexy Kagia? Or the simple and beautiful Arete? And Ben, who was at the crossroads of his life, made a choice without hesitation, and this choice is exactly what everyone likes to see.
Socrates endows the story with a moral color that was not originally there. The comfort, fullness, and enjoyment of the senses that Kagia expected from Hercules became "evil sensuality", and the toil, heaviness, and beauty that Arete's body expected came true. "Virtue is beautiful". In Socrates' version, Arete said to Kagia: "Although you are immortal, you are indeed rejected by the gods and despised by good people."
In the film "The Graduate", The mother, Mrs. Robinson, represented "evil and lascivious," and her daughter, Ilyin, represented "virtue and beauty." Ben experienced the pleasure of the senses brought to him by Mrs. Robinson, and the beauty of the soul that Ilyin brought him. He resolutely chose the latter and completely rejected the former, calling it "It's just nohing." This proves that Ben is a good man who takes his ethics seriously, as he does when he rejects Mrs. Robinson's seduction at the beginning of the film.
Yet in areas where moral judgment has been put on hold, such as in Kundera's novels, the lithe woman is just a beautiful thing with alluring charisma. Thomas accepted her, and did not fall and lose himself because of it, but actually experienced the floating joy of the body free from the soul. Kundera tried to answer the question that Xenophon thought but did not dare to ask Socrates: Is it really necessary to make the body bear the burden of the soul to be toiled and heavy in order to experience the good life? Is "patient waiting for the desire for good things to happen" necessary? When moving towards a better life, why "can't take shortcuts"? Why can't the road of life be easier to walk?
Sabina, who symbolizes lightness, has been restored to its original color in Kundera's pen, with only a sexy and light body, and no longer needs to bear moral responsibility. Mrs. Robinson, on the other hand, has become a symbol of moral corruption, a corrupt and depraved content of life that an upright young man like Ben would not hesitate to intellectually reject. He would rather carry a heavy soul and obey the guidance of the gods. He tried to completely deny the meaning of Mrs. Robinson's existence and the value of his sensual enjoyment in the happiness of life. In fact, it was he who did not resist the temptation of the body, he obtained light joy, and even the experience of the body allowed his soul to be enlightened, exercised and grown.
Destiny sent these two types of women to men, perhaps just to reveal them, the body and the spirit are indispensable on the road to happiness, but the man used the mouth of Socrates to deny the body morally. And the real life course tells them beyond doubt that the body cannot be completely denied and rejected no matter what. Denying the essence of the body may not be easier to knock on the door of happiness than yielding to the essence of the body.

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Extended Reading
  • Chloe 2022-03-23 09:01:25

    8/10. A masterpiece of American youth films, the resonance of the script depends on the success. The second half of "Bonnie and Clyde" means "true love invincible", which is a kind of free love temperament. The audio-visual level is very rich: fast psychological montages, profound picture layouts, non-sequential shots of fashionable music and the integration of scenes without lines are all popular film techniques at the time and used appropriately. The toaster's corresponding lines are very interesting.

  • Angela 2022-03-21 09:01:23

    Disgusting protagonists

The Graduate quotes

  • Mrs. Singleman: Hello.

    Benjamin: Hello.

    Mrs. Singleman: Oh, you must be one of the porters.

    Benjamin: No, actually, I'm not...

    Mrs. Singleman: Yes, I'd like you to meet my sister, Miss DeWitte.

    Miss DeWitte: How do you do?

    Benjamin: How do you do, Miss DeWitte?

    Mrs. Singleman: And that's my husband, Mr. Singleman.

    [Mr. Singleman holds his hand out in greeting]

    Mr. Singleman: Oh, sorry.

    Geoffrey: Fine, thank you.

    Mrs. Singleman: That's Geoffrey, of course.

    Mr. Singleman: I didn't get your name, sir.

    Benjamin: Benjamin Braddock, sir, but I'm...

    Mrs. Singleman: Braddock? Branham?

    Benjamin: Yes, but I'm afraid I'm...

    Mrs. Singleman: Oh, no no no, I'll find your table in just a moment.

    Mrs. Singleman: [looks through the guest list] Braddock, Braddock, Braddock, not Branham, we have a Branham.

    Benjamin: No, actually, I'm just looking for a friend.

    Mrs. Singleman: Oh, but I don't understand.

    Benjamin: I'm not with your party. I'm sorry.

    Mr. Singleman: Hey, I don't get it.

    Mrs. Singleman: I've enjoyed meeting you, Mr. Braddock.

  • Benjamin: Don't talk about Elaine?

    Mrs. Robinson: No.

    Benjamin: Well, why not?

    Mrs. Robinson: Because I don't want you to.

    Benjamin: Well, why don't you? I wish you'd tell me.

    Mrs. Robinson: There's nothing to tell.

    Benjamin: Well, why is she a big taboo subject all of a sudden? Well, I guess I'll have to ask her out on a date and find out what the big deal is.

    Mrs. Robinson: [turns on the lamp] Benjamin...

    Benjamin: Ow!

    Mrs. Robinson: Don't you ever take that girl out! Do you understand me?

    Benjamin: Look, I have no intention of taking her out.

    Mrs. Robinson: Good.

    Benjamin: I was just kidding around.

    Mrs. Robinson: Good.

    Benjamin: But why shouldn't I?

    Mrs. Robinson: I have my reasons.

    Benjamin: Well, let's hear them.

    Mrs. Robinson: No.

    Benjamin: Let's hear them, Mrs. Robinson, because I think I know what they are; I'm not good enough for her to associate with, am I? I'm not good enough to even talk about her, am I?

    Mrs. Robinson: Let's drop it.

    Benjamin: We're not dropping it! I'm good enough for you, but I'm not good enough to associate with your daughter. That's it, isn't it! Isn't it?

    Mrs. Robinson: [lengthy pause] Yes.

    Benjamin: You go to hell! You go straight to hell, Mrs. Robinson! Do you think I'm proud of myself? Do you think I'm proud of this?

    Mrs. Robinson: I wouldn't know.

    Benjamin: Well, I am not! No sir, I am not proud that I spend my time with a broken-down alcoholic!

    Mrs. Robinson: I see.

    Benjamin: And if you think I come here for any reason besides pure boredom, then you're all wrong; because Mrs. Robinson, this is the sickest, most perverted thing in the world that ever happened to me! And you do what you want, but I'm getting the hell out!

    Mrs. Robinson: Are you?

    Benjamin: Goddam right I am!