TV series. Apart from friends, only sopranos can be seen from the beginning to the end.
Others are too lazy to chase after watching a little bit.
Most of the American dramas are developing more and more outrageous. The plot flies directly to the planet Andromeda by taking the Galaxy Railway 999.
Constantly foreshadowing foreshadowing, after chasing foreshadowing, there are even more amazing foreshadowings, typically such as escape from prison.
But our soprano family is different.
Time magazine rated it as the greatest American drama in 25 years, worthy of the name.
Telling the story seriously, digging into the characters seriously,
there is no ups and downs, but it is solid, and in the end it becomes particularly thrilling.
All kinds of messy and trivial things in life are described very delicately,
and the spoof and black humor that pops out casually are all dotted, which makes people can't help but laugh.
The idea at the beginning came from the boss stepping aside,
Tony’s tricks felt like good guys (most of the actors came from good guys),
and the film as a whole was a spoof of the godfather—the godfather’s tenderness and majestic gang feelings became Luo Luo, a chattering gangster family.
And Vito's sexual interest is a little spoof of Brokeback Mountain.
In short, spoofs are everywhere. This is an attitude to life and a helpless reality.
I watched it intermittently from start to finish twice. The
second time I finally clarified the relationship between the characters, I also understood many parts that I didn't understand before.
Fans of gangster movies must not miss such a good American drama.
View more about The Sopranos reviews
