Pity

Pink 2022-04-24 07:01:04

Regardless of Yates's original book or this film, the tragedy that "Revolutionary Road" wants to explore is not why the marriage broke down, but what the 'life' that has always appeared in people's mouths has defeated the ideal. Marriages can end for a hundred reasons, but they are all an outlet for a deeper failure—the demise of ideals. There is always only one reason for the shattering of ideals, that is, when a person realizes that his ambitions are ignorant, he begins to become cowardly before changing; and 'life' is all the valid excuses for this person to refuse to change at this time. At the end of the film, the three men, Little Plum, David Harbour and Richard Easton (young, middle-aged and old), stare blankly at the camera and ponder over the sudden intrusion of idealists in their long quiet lives. confused. Before long, they will recall that the tragically dead interloper was none other than himself before he became a coward. Only then did they realize that they were willing to give up everything they had, just to have the opportunity to devote themselves to their ideals again, but they could only helplessly sink deeper and deeper into the increasingly complicated and delicate 'life'.

Dejon 2022-03-23 09:01:33

Very bad. Personally, I like the original book very much, but the way the director directs the actors is to let them quarrel endlessly, or endlessly put out those golden sentences in the original work. Xiao Li's roaring way of performing makes such a mourning book look like wax. It would be great if Yang Dechang was filmed. . Paris is not a panacea, just a short-lived hope, an illusion that makes you think everything can start all over again.