cherished time

Guiseppe 2022-03-15 09:01:03

I think I must have misunderstood the meaning of cherishing. I often say that many people don't love to cherish the things around them, and they have to wait until they regret it before they understand the value of existence. After watching this Deep Impact, I raised a question: it is only when life and death are parted that it is particularly touching. At least that's how movies are made. When it comes to life and death, the background music is especially slow and beautiful. It is very clear that it is absolutely inappropriate to use very cheerful music for scenes of life and death, especially disaster films. Take this movie as an example, if the first comet hit the earth and caused a great flood, the background music was a cheerful and rhythmic piece of music, I don't think anyone would say it's right and it's counterintuitive , is really not suitable. What I want to say is, why should the melody be particularly beautiful when it comes to life and death? Because they are all dying, don't they start listening at this time? If the soundtrack is added after it is all dead, I think the whole picture and the soundtrack will be misaligned, and there will be no optimal matching effect. And cherish it, as it should be. If the whole movie is the music of the separation of life and death from beginning to end, then when the true separation of life and death comes, it may be meaningless, because it is the same thing, you have already heard it, and if you listen to it again, you may not want to listen to it. If you cherish it all the time, perhaps in the end, you will lose the meaning of cherishing, and in the end, perhaps cherishing will become meaningless. There is no balance. There is no transition between cherishing and wasting. You can only add "more" or "more" in front of each, and you can only continue to deepen, and after that, it will change in quality.

So, cherishing also has to say TIMING, at least I think so. Or for any one thing, you can't cherish it from beginning to end, because it will end earlier than the originally set time.

So, remember to cherish it too much, but it's not that you don't care. I still insist, but the balance between them has not been found well, but I really have to tell myself that you should look away and stop caring about what you have lost.


In addition, the movie is relatively ordinary, but Freeman is a blockbuster in Jiujiu, and there is james horner's soundtrack. After listening to the beginning, I guessed it, it is too titanic.

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Extended Reading
  • Dasia 2022-04-23 07:01:44

    There are too many sidelines, which slow down the rhythm. In a story like the end of the world, apart from saying goodbye, who cares about the relationship between you and your stepmother?

  • Marley 2022-01-26 08:15:12

    A neat and clear leftist disaster blockbuster, the ideology that the film wants to convey roughly includes: 1 you can't completely prevent the disaster from happening; 2 some unpredictable factors may even exacerbate the disaster: the comet is split and heads to the earth. Here comes; 3 Left-wing governments (black presidents) and the news media basically represent positive energy, and sometimes concealing information is justified to maintain order. 4 The savior spaceship team with intellectuals as the core dares to sacrifice themselves to save mankind at critical moments; 5 Journalists with liberal values ​​and young men and women can also give up their surviving quotas for family or family affection; 6 Surviving disasters is their own determination The result of multiple factors such as subjective initiative of the will and other factors that affect the progress of the situation, including the sacrifices of others, can turn the overall situation on its own. 7 Under certain world events, the left must also admit that everyone cannot be equal. Except for special contribution elites, American citizens over the age of 50 are basically not considered to participate in the million surviving lottery-this last one makes the lungs tight.

Deep Impact quotes

  • Spurgeon Tanner: [about the Wolf comet] Now the outgassing has created a vent a half mile wide and at least two miles deep. Comet gets closer to the sun; sun melts the ice, ice turns to steam. We get a big hole, okay? So, how many nukes do we have left in the back?

    Mikhail Tulchinsky: Four.

    Spurgeon Tanner: Okay. If we can get the remaining bombs in that vent, there shouldn't be anything left of that comet bigger than a suitcase. Now, we can't do anything about the little one, but you know... it just might give them a chance. Now, without the arming codes, we're going to have to wait to set the bomb timers until we get closer to Earth, to raise Houston.

    Mikhail Tulchinsky: We may not have enough life support left to get back into the cargo bay for the nukes. Much less to go down to the comet.

    Mark Simon: We sure as hell don't have enough propellent left in the Messiah to maneuver with. How are we supposed to get back off the surface once we've... once we've gotten down there?

    [Fish is silent, and everyone's expression changes knowingly]

    Orin Monash: We don't.

    Andrea Baker: [smiles briefly] Well, look on the bright side. We'll all have high schools named after us.

  • Mike Perry: Thank you for your sexual insight, Mr. Thurman. You can sit down now.

    Jason: Famous people always get sex, Mr. Perry. That's the main reason it's good to be famous.