One is the video interview of Vilmos Zsigmond. The
second is the text report of the film by American Cinematographer magazine in 1973.
Vilmos Zsigmond escaped from Hungary in 56 years and worked hard in Hollywood for many years
. a blockbuster
In the future, he made steady strides, and took pictures such as
Altman and Zsigmond both liked the zoom lens, and this is precisely the
background that many directors and photographers resisted, and they often pushed to the far background while shooting , completely ignoring the
extreme depth of field changes in the foreground . Scheduling is very enjoyable.
Zsigmond wants the camera to keep a distance from the actors and try not to interfere with the actors’ performances. This is another reason why he often uses zoom
tricks. For example, the actors and the track are parallel, and the rail car moves laterally. During the process, he will zoom in slowly, simulating the track. The effect of the car getting close to the actor The
innovative Post Flash introduced at that time in order to achieve the texture of the 1950s. The
English ability is limited. I don’t know too much. Is the percentage flash negative in the later stage similar to the concept of forced punching and strong display, the
only smoking Philip in the play Marlowe's light ratio is quite large, the light is also hard, OK with me, very cool
and the best thing to do with the camera is that cat
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Budweiser seems to have also appeared
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