Sequentially narrated plot, starting from the male protagonist getting to know the female protagonist

Vincenzo 2022-03-03 08:01:02

The story goes like this, the male protagonist is a serial killer, and his target is to haunt some declining blondes in Las Vegas. (Target of crime: Some nice place, good girl there. They just do what they have to do to survive) For some reason, he has low self-esteem or lack of money and so on, so he can't get beautiful women, so he wants to use other methods .

The actor found a new target at the cheetah bar and followed him frequently. (Conversation in the car after the pistol is found) The heroine is scared and gets a pistol from a friend.

During a tailgating, the heroine couldn't bear it any longer and began to think about the hero. (The rest area, the conversation between the male and female protagonists) (Lines: Female: We just forget the whole thing, we pretend we never met. Male: Why don't you go to police...). The hero then kills the heroine with the heroine's pistol.

The male protagonist and the dead female protagonist coexist in bed.

The movie begins, Morning Call.

The subconscious regretted what he had done, and was scolded by the main consciousness (sucker).

Apples, flowers, drinks, all love for the woman he loved, but that woman was dead.

The male protagonist remembered the girl who fell in love at first sight when he was 16 years old.

Go to the coffee bar to buy coffee and spot the detective. Hell of a world. Another girl died. A pretty girl. Your wife? Actually speaking to myself subconsciously, not a detective. Ask yourself not to make any more turns (the turn may go back to the desert rest area), or it may mean to stop making further detours. (Actually, the girl was already dead at this time.) The

heroine helped find the map, but she still had to turn a corner and bury the girl on the

road. The subconscious began to explode, and she wanted to control the hero, but was killed by the hero.

Then start burying. He dug the hole himself and asked the heroine to help bury it.

Found the gun in the heroine's bag in the car, angry. Then take the heroine to the desert rest area to be buried. Found the watch lost.

Going back to the place where the subconscious was buried in front, I found that there was only an empty pit there. (Because the subconscious does not exist, so the pit is empty, the heroine is already dead, so the previous heroine did not bury the pit) The

empty pit caused insanity, and the gunshot was heard in a trance (probably the one who killed the girl at that time) The protagonist's gunshot)

returned to the desert rest area, when the subconscious began to attack again (the reason for the empty pit???), a big attack. Subconsciously wanted to find the heroine, but only found another dead body in the rest area.

Driving to other places, met the police in the middle. He has been listed as a suspect by the police, so the police dare not let him sit in the front row, but he can also be locked in the back row.

Other police officers found the body, called the police, drove back to the desert rest area, and found the heroine's body

The hero runs away, and the police chase him.

A car accident.

The male protagonist's main consciousness slowly turned into a subconscious, and he recalled everything again, indicating that he finally realized that he had killed the female protagonist.
He yelled from the car, "No... What's this? What the hell is this? Oh, God. This is happening". It means that he can't believe it was the heroine who killed himself.

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Extended Reading
  • Amara 2022-04-22 07:01:53

    infinite reincarnation again

  • Norene 2022-03-03 08:01:02

    A film that needs further reading to feel good. . . The bells and whistles of the picture have turned into a failure

Dark Country quotes

  • Gina: [as they dig grave in desert] We're not being smart about this. They always find the body.

    Dick: They're not gonna find this body.

    Gina: How can you be sure? What if an animal digs it up?

    Dick: Let's hope it's hungry.

    Gina: Jesus.

  • Gina: [bumpy sound from the trunk] He's still alive.

    Dick: He's dead.

    [but pulls the car off the road]

    Gina: He's...

    Dick: Shh...

    [switches off the ignition]

    Gina: [panicky] He's not...

    Dick: Listen. Just listen.

    Gina: [tearfully shakes head] You heard it.

    Dick: I heard... something.

    Gina: What if he's alive?

    [panting with fear]

    Gina: What are you gonna do?

    Dick: I don't know.

    Gina: He could talk. He could lie. He could say that you attacked him.

    [bends forward, picks up the tire iron, and hands it to Dick]