Mo Yan gold inlaid jade

Chance 2022-03-01 08:01:11

In 1992, I was four years old.

In 2012, when I was 24 years old, I finally understood a little bit of this film from 20 years ago in front of the screen.

Two women, one is Qiu Moyan, the other is gold inlaid with jade; the other has a neat crown and cap, and is very handsome; the other has enchanting hair and charming style.

When Qiu Moyan reported to his family, he said, "Duckweeds have no roots in floating, so don't ask any wanderer in the world", which gave me a new understanding of the word "Moyan". The arrogance and freedom are not inferior to men. If not, how could it be possible to lead a few big men to fight in the desert, and to hide in the Mingqiao reef in a mixed inn.

Rivers and lakes are empty and desolate because of righteousness, and boundless because of love. Her righteousness is not obvious, and her feelings are also silent. Meeting Zhou Huai'an, the sound of the flute introduced each other, took a few steps toward each other, greeted each other with a smile, and lightly touched the railing with her fingers a few times, but it was no doubt that she was restrained and couldn't wait. The moment Zhou Huai'an put his hands on his cheeks, the originally solemn chivalrous person seemed to be a tender woman.

The thoughtful Zhou Huai'an wanted to leave the customs and entered the bridal chamber with Jin Xiangyu. "The officialdom is unrighteous, and the battlefield is ruthless", so Mo Yan, who knows the general knowledge, must be apprehensive, right? It's not that she has never seen amorous feelings, and she also has the jealousy of women. Otherwise, why would she turn her head and leave after speaking? Guarding the bridal chamber, fighting wine, the elders fight bowl by bowl, but the five bowls have already begun to stumble, but she raised a jar and poured it into her throat, looking up to the sky and dripping tears, who knows the bitterness in her heart. The pain of an arrow in the chest was naturally not enough to pierce the heart of the lost ten thousand arrows. Fortunately, Zhou Huai'an forced the arrow out and healed the heartache with the confession of "the love of children in troubled times is deeper".

"The jade is sighed in the box, and the golden hairpin is buried in the soil" is what Mo Yan blurted out when he heard the three words "gold inlaid jade". The words were filled with regretful sighs, but in Zhou Huai'an's mouth it was "golden wall brilliance and jade exquisite". The tone of voice is all about admiration and compliment, a radiant scene. Maybe only women can recognize women, and most of what men see are either brilliant or exquisite flower stands. The proprietress of this Dragon Gate Inn is coquettish, lively and sultry. She has a savage style. She can be a bowl of water even under the cover of a few buddies, officials and underworlders. But knowing the world, it is a brilliant and exquisite gold inlaid jade, which makes people laugh easily and makes life pity.

The hero appeared riding a camel, laughing a few times, elegant and unrestrained, Jin Xiangyu sang a minor tune on the roof, wrapped the flag of the Dragon Inn and flew down, posing, a little embarrassed but still full of style. Several back-and-forth conversations have been heard clearly, gold inlaid jade is enthusiastic, nine out of ten sentences reveal hints and temptations, full of joy or want to fake the show and do it, Zhou Huai'an and Zhou Zheng, every sentence has left himself with grace and grace. In the end, there is still room for drama.

Mo Yan is forbearance, and gold inlaid jade is forthright. In the dimension of love, Mo Yan's indisputable weakness is pitiful, and Jin Xiangyu's dead skin is not annoying. On the contrary, this kind of true temperament makes people appreciate it. Someone said in a movie review, "Gold inlaid jade is so coquettish as to be a little bit coquettish." , but left the shyness on her face." The rare and stupidity of a smart woman who is so strong that she is invincible is also heart-wrenching and heart-wrenching.

The rivers and lakes are affectionate. In addition to choosing between righteousness and affection, heroes must linger between this affection and that affection. They are all unique and exquisite women, one lost his life and buried himself in the sand because of him, and the other cared about him no longer. One was dead, the other was heartbroken. People in the rivers and lakes unknowingly owe a debt of love for the sake of "righteousness", and they can only travel around the world lightly, and then forcefully digest the woman's heart that has nowhere to pay.

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