I watched the trailer before, the subject matter was more attractive, and I was full of expectations. But then I forgot the title of the film, so I didn't watch it until my friend recommended it to me this morning, and it was a strong recommendation! It happened that I was also very interested. I watched it from the beginning to the end, and I was looking forward to it. After seeing the last scene, I realized that this is an old-fashioned story of a father-daughter tender... Even Dracula's image and The characters are copied from the protagonist Gru in "Despicable Me" (I like "Despicable Me" very much, and they are also warm cards, I think this is very good).
But there is one thing in this film that is worthy of recognition, that is, Count Dracula's psychological description of his daughter in the film, the only precious daughter, who is both loving and precious, all kinds of worries about her daughter's future, this may be every father who loves his daughter. A true portrait of the heart. Just like Jean Valjean's love for Cosette in Hugo's "Les Miserables", although the two are not related by blood, Jean Valjean regards Cosette as his own, and lives with each other as a father and daughter. After a slender girl has her own sweetheart, the pain in Jean Valjean's heart - the daughter he regards as a treasure will soon leave him, this is the greatest disaster - he tried to prevent his daughter from communicating with his lover, but After I really found out that my daughter really loves that young man, I can't be happy without him, just like Dracula said in this film "I always thought that the worst thing was that you left me, in fact, the most sad thing for me is , you are unhappy." Jean Valjean risked his life to rescue young people in the chaotic battlefield, let them get married, and make their daughters happy... All fathers who love their daughters in the world must experience this sad and melancholy love.
However, I still insist that the film is too old-fashioned, with so many popular elements rhetorically incorporated into it, resulting in a hodgepodge of leftovers, still unable to hide its old-fashioned nature. Many turns are too blunt. I have seen Gao Xiaosong's interpretation of the selection of American Hollywood movie scripts before. He said that Hollywood has a magical software for writing scripts. One page is one minute of the movie. As a mature industry in the United States, movies are often unable to be supported by the passion to tell a good story, so there are these softwares and a streamlined script writing and review process. For each script, one person is responsible for counting the number of pages, one person is responsible for reading the 3-minute plot, one person is responsible for finding whether the hero and heroine appear 75 times, and one person is responsible for counting the total number of events... Everyone is like a blind man touching an elephant. The plot of the script is taken out of context, and the living script is dismembered, forgetting that a good script has a soul, and such dismemberment is absolutely impossible to see the whole story... The system is so rigid, it is no wonder that the movies that come out are all stereotyped and formulaic fried rice. .
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