drug network

Madonna 2022-03-20 09:01:24

The subject of drugs depends on which angle you shoot from. In this film, the protagonist is not the arms, but the drugs themselves. Soderbergh tells the audience what drugs are through three overlapping life clips. , in what way does it exist, and how it manipulates and manipulates people's bodies and hearts. For

the stories of three different life sections, the director uses the three filters of brown, cyan, and natural colors to show To refresh the audience who are easily sleepy due to the bland plot (in fact, each story is rich in touching or tense plots). The screenwriter's work is very good, and the bridges and conflicts between small things are carefully kneaded and formed. The documentary style brought by hand-held photography shows the scene's vertical and horizontal dimensions in place: from the actors' breaths to the shocking scenes, as well as the different images of various characters.

The rules of the DOGMA95 declaration are in line with the traditional Hollywood film techniques. The combination should have a certain creative interest in front of the moviegoers more than ten years ago, which is also the result of Soderbergh, as a former "movie genius", who spared no effort to play his skillful skills in this film. the achievement of it.

(the film had Soderbergh example is "fifty million dollar movie DOGMA")

but the outcome is not very clever. While there is no preaching hypocritical, and want light and anger have retained . But it still makes people feel that it is not in line with reality. The ending seems to be open-ended, but the will of all parties has been satisfied in the end, and the direction is clear, which goes against the inevitability of the development of real life, so after more than two hours of experience After the narcotics scene, viewers will inevitably feel a sense of dullness. At the same time, they sigh: the genius of Sok prodigy was only biased towards skills.

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Extended Reading
  • Jean 2022-03-24 09:01:27

    2009-01-31, an organized group show. del toro. 9

  • Jesus 2022-04-24 07:01:03

    Filtered, overexposed, hand-held, and highly stylized images bring loose narrative lines under one big theme. Soderbergh wants to use the long time, the continuous sense of repression and the wide plot to approach the reality infinitely, but this reality is huge, broken, and floating. I do think it's much better than Soderbergh's other works after the new millennium...

Traffic quotes

  • Helena Ayala: [to Arnie] How am I going to survive this?

  • Javier Rodriguez: It's all about the money.