I won’t discuss the humanities and morals, but from an artistic point of view, the rigorous artistic setting made me buy the original painting setting of Planet Dawn. You can know his personality and age just by looking at his face and expression. The highly restored San Francisco, the abandoned Golden Gate Bridge, the magnificent Sequoia Forest Park, especially the sexual and wild homeland of the Orangutan Tribe, all make people admire the efforts of the artists on this film. I watched this film locally in San Francisco, and the people around me all talked in amazement about how the streets they were familiar with had become so artistic and the sense of substitution increased.
In addition, Caesar's complex emotions of nostalgia and worry in the face of human beings, sadness and wet red eyes for his wife's serious illness, comradeship and anger towards Koba, and concern for his son, all show fiercely! It can be said that the film is indeed far less rich in shaping human beings than apes, but the full-figured role of Caesar is the best and most emotional special effect I have ever seen.
It's a pity that there is no scene of Caesar leading the army to fight against humanity in the film, but as a summer program of commercial and artistic double-study, I have nothing else to ask for.
Finally, Fu Lanlan, where did you die? . . . . . .
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