It's a tragic mix of factors, but as a movie, it's a classic

Carroll 2022-05-12 19:42:54

In general, the movie "Skinny to Die" is a story centered on lawyer Billy. The first thing to point out is that Billy's legal career looks good as a result of his integration into the "circle". As a wealthy class of society, Billy's body fat is also a class symbol. The turning point in the story comes after he bumps into the old gypsy woman, and exactly after he and his "circle" acquit him of their crimes by working together in court.
Two points to make here, first, I don't think Billy's acquittal was a direct result of Billy's use of his relationship with the judge, etc., but by deceiving the judge in court that it was just an accident Others in court failed to produce evidence that Billy was in the car accident due to improper driving. Second, it is difficult for Billy to tell the fact that the accident was caused by his wife doing a Blow Job on Billy who was driving the car on a whim on the way home after a party at night. Billy's driving the car ended up causing such a tragedy.
Through the above two points, we can see that the facts are clear, but Billy is panicking. I think this lie is based on Billy's own moral judgment. Billy believes that telling the truth is indecent and that the moral consequences of telling the truth may be higher than the cost of deception, so he will lie. Such a choice of behavior can actually be said to be Billy asserting his identity and that of his wife. The gypsy grandpa then punished Billy with a curse. From a realistic point of view, this behavior is more like a manifestation of the powerless resistance of the lower classes of society in the face of the fact that they have been violated. And the movie materialized this irresistible grievance and turned it into a real force that could really affect Billy's fate: the curse of thin death.
The curse is a real force in this movie, so think of it as the punishment Billy had to pay for lying after hitting someone, but obviously it's a death sentence, more than a simple car accident. severe punishment. Because Billy not only killed someone, but also escaped punishment for lying, just like our law defines the difference between driving a car and running away after hitting a car, obviously, the curse of thin death is punished The two consecutive acts of Billy. Thinning to death is a severe punishment, which is a process that Billy needs to slowly realize after his acquittal.
Next, I want to focus the discussion on the second half of the movie, when Billy's best friend takes an AK47 and sweeps through the gypsy neighborhood. There is a detail, Billy did not directly instruct his good friend to punish the Gypsies in the movie, but the good friend's gangster attributes and righteousness, with the values ​​of revenge for his buddies. Billy didn't directly instruct his gangster friends to punish the Gypsies, which seems to have a potential connection with the plot in the first half of the movie where Billy was acquitted only because of cheating. Li was saved by the environment. Billy himself had no power to change his destiny. He was his friend at critical moments, and his circle changed him.
Even later in the film, this "environmental determinism" comes into play again. One of the doctors Billy came in contact with to see a doctor seems to have had an extramarital affair with his wife. Before Billy got the curse lifted, he actually reacted to this situation in despair, because even his own life was dying. No matter what the wife does, when Billy's curse was lifted, and when Billy knew that the curse could be transferred, he did not hesitate to transfer the curse to his wife. Of course, it was purely accidental that my daughter ate the curse by mistake, but the cause and effect of all these tragedies made me feel that the movie has a deep play on social conflicts, workplace and family life. It's a tragic mix of factors, but as a movie, it's a classic.

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Thinner quotes

  • Billy Halleck: Alright I'll go. But before I go, I curse YOU! The Curse of the White Man from Town!

  • Billy Halleck: [Knocking on the front door, Leda opens the door] Leda, is uh, is Cary in?

    Leda Rossington: He's in Minnesota visiting relatives.

    [She starts to close the door, he stops her]

    Billy Halleck: What's wrong with him? Has he lost weight?

    Leda Rossington: What are you talking about?

    Billy Halleck: I've lost a hundred pounds. That's built with a, uh, a one and two zeros.

    Leda Rossington: It was the gypsies, wasn't it?

    Billy Halleck: What do you mean: gypsies?

    Leda Rossington: Did he touch? Did the old man touch you?

    Billy Halleck: What does that have to do with it?

    Leda Rossington: Come on in, Billy.

    [She hands him her drink]

    Leda Rossington: Here, you'll need this.

    [They go inside, she makes herself another drink]

    Leda Rossington: He is in Minnesota, but he's not visiting relatives. He's at the Mayo Clinic.

    Billy Halleck: Leda... there's no such as, uh... gypsy curses.

    Leda Rossington: Who are you trying to convince? Me or yourself? He came up to us as we were coming out of Lazupa's, that place over in Milton. Cary was fried, as usual, hunting for his keys, he never saw the old man coming. I did, I tried to warn him, but it was too late. He touched him, then he whispered something in his ear. Cary claims he didn't what it was. I heard.

    Billy Halleck: What? What did he say?

    Leda Rossington: One word. Lizard. His skin was plating, turning into scales, his evolution in reverse, a sideshow freak.

    [Starting to cry]

    Leda Rossington: Oh, Jesus. He charted a plane to take him to the Mayo, did I tell you that? Because he can't bear to have people look at him. At the end, before he left, his hands were like CLAWS! His eyes were just two bright little specs inside of these deep hollows, like pieces of tin foil! And his nose...!

    Billy Halleck: I have to go to a place, the Glassman Clinic. I have an embolic disorder.

    [He starts to leave, but she forces the door closed]

    Leda Rossington: Oh, why, why did you come here? Why did come here looking for my husband?

    Billy Halleck: I just wanted to compare notes. That's all.

    [He starts to leave again, but she, again, forces the door closed]

    Leda Rossington: What did he say to you? What did the old gyp say to you?

    Billy Halleck: Nothing! Nothing!

    Leda Rossington: I don't believe that! You know what I do believe? I believe it's all your fault, if you hadn't that old lady! You were the one that hit her! YOU, NOT CARY!

    [He slips on out the front door, but she pushes him down to the ground]

    Billy Halleck: Maybe I rode on the fence, but it was your husband you slapped on the whitewash and he was too happy to do it.

    [Throws her drink in his face]

    Leda Rossington: Oh, have a nice stay at the Glassman, Billy. I hear the food's good!

    [Billy gets back up to his feet and begins to head towards his car]

    Billy Halleck: There's no such thing as a gypsy curse.

    [Gets into his car]

    Leda Rossington: YEAH, YOU COME BACK IN A COUPLE OF WEEKS AFTER YOU'VE LOST ANOTHER 40 OR 50 POUNDS AND YOU TELL ME WHAT YOU BELIEVE THEN! HA, YEAH! YES, YOU TELL ME WHAT YOU BELIEVE THEN!

    [He drives off as she continues yelling]

    Leda Rossington: YOU HEAR ME? YOU TELL ME WHAT YOU BELIEVE THEN! YOU TELL ME!