Rashomon, a movie that made Bao Zheng's face smashed

Julius 2022-03-23 09:01:39

This is a movie that is boring to explode at the beginning, but the more you watch it, the more interesting it becomes, and the more you watch it, the more curious
it

becomes At a glance, the director is indeed a great director, because the heroine is so ugly, she can be made into a fairy, such a magical skill that turns corruption into a miraculous skill, willing to worship

the Rashomon under the storm, the inexplicable monk and woodcutter, Inexplicable memories of the bloody murders, the inexplicable laughter of a robber's brain-dump, the inexplicable so-called fairy woman and his samurai husband, and the shadowy messy and depressing mass of forest scenery
They began to understand the circumstances of the bloody murder and the contradictory statements in the
film. Everyone is selfish and dishonest, loves to make excuses,
robbers say they killed warriors for the sake of women, warriors say they kill themselves because of disappointment with women, women say they are defiled and not until someone killed their husbands, in their mouth, their own are brave, clean, good, in fact, nothing but a soft egg, a counseling force, a ruthless woman, only full account of lumberjack witnessed the truth of the matter

remember as a child watching a small package , Bao Zheng has a famous saying, every case has to beep again: dead people don't lie!
When the undead of the samurai appeared, Xiao Shi thought he would tell the truth, but the truth was: he would lie even when he died!
Bao Zheng: Clap clap clap! My face hurts!


Yes, people always want to forget the bad things, try to believe that good things fabricated, human perverted, perverted society, everyone is lying, that's the truth of
the small Japanese really more than Chinese people Excavating the selfishness, hypocrisy, greed, and vicious
ending of human nature , the idler reveals the essence: the villains in this world live better, if you are not selfish, you will not be able to live
in troubled times, in reality, this is probably the best The cruel truth

trivial inexplicably thinks of the ending of the trip to Busan. It is said that the pregnant woman and the child were shot and killed, and the selfish ghost finally survived. However, this ending is too cruel and desperate, because the censorship system is still changed to: selfish Ghosts were killed, pregnant women and children survived with hope. From this point of view, the finale of Train to Busan and Rashomon have the same purpose. Rashomon spent a movie talking about the hypocrisy and viciousness of human nature, but in the end. In the end, the woodcutter adopted the child, and the monk, and also us, continued to maintain faith in human beings.
Even if there are vicious and cool people, there are also kind and sincere people. Good and evil, black and white, have always coexisted, and they have been intertwined into this real and empty society... The

rain stopped, and the sun came out...


...
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Extended Reading
  • Cameron 2021-11-13 08:01:23

    #重看# created a classic multi-angle narrative mode, and "Rashomon" has since become the most important proper term in film history; there is no ending to the truth, and the language labyrinth intertwined with multi-faceted narratives can still restore humanity. The darkness; simple and neat editing, rapid and compact drum beats, Kurosawa Akira's magnificent and majestic weather pattern, sky light and cloud shadows, wind and rain, and Eastern aesthetic connotations.

  • Barrett 2022-03-22 09:01:34

    Bushido spiritual masculine style, preference for the abnormal power of nature, blending of Eastern and Western cultures, reference to traditional Noh music; crisis of trust and doubt of historical objectivity, multi-view and multi-space interlaced nested structure of subjective and objective narratives, images and backgrounds are lyrical Sex, changing the form of martial arts in costume historical films, the first Japanese film to use sex as a drama. The same event, different sayings, the beginning of a new era of film language

Rashomon quotes

  • Woodcutter: I'm the one who should be ashamed. I don't understand my own soul.

  • Priest: A man's been murdered.

    Commoner: So what? Only one? Why, up on top of this gate, there's always five or six bodies. No one worries about them.