We are all destined to grow old, we are destined to be desolate

Garret 2022-03-18 09:01:09

"I'm 81 years old. I have 9 children, 42 grandchildren, nearly a billion subjects. I have rheumatism, a prolapsed uterus, I am overly bloated, and deaf in one ear. I have met 11 prime ministers and signed 2,347 articles. Act, in power for 62 years and 234 days. I am the longest reigning monarch, responsible for 5 royal families and more than 3000 employees. I am bad-tempered, boring, gluttonous and fat, irritable and selfish and short-sighted. So. I'm disgustingly dictatorial, nothing, but I'm not insane! If the whole royal family wants to disobey me then come, come face to face. I'll be waiting for you in the audience room right away."

Adapted from royal anecdotes unearthed by a female journalist, "Victoria & Abdul" tells the story of Queen Victoria's personal friendship with an Indian valet at the end of her reign, the 29th year that India officially became the Queen's crown jewel. , is also the peak of the British Empire. What is thrown away is historical facts and how much is not a joke, except for the self-deprecating humor in the bones of the British and the sighs and thoughts of nostalgia for the glory of the past. No one is willing to truly listen to and understand the loneliness in their hearts. This dilemma is something we all will fall into sooner or later. The emergence of Abdul has become a safe haven for the Queen's personal emotions. Her tiredness of the long life, her fragility and willfulness, her numbness and loss in her duties, and her mourning for Albert and John Brown, are finally able to The "one person" approach relieves.

In addition to this main line, what makes me sigh is Abdul's Indian companion, a cold-humored character who is reluctant from the beginning on this shameful journey from India to Britain to "fuck the colonizers". In his eyes, the British Empire that leads the world is nothing but an "uncivilized place" that "eats pig's blood". He doesn't want to be "frozen to death" in a sinful foreign land. He bluntly tells that an empire stands at the top, which means that what can be seen here is also visible. Only downhill. And his death also changed the tone of the whole film from the sunshine on the Isle of Wight, which carries the Queen's beautiful memory, to the endless sadness under the snow. The sadness left to the audience at the end of the film is that what we see is not only the curtain call of a queen and the elegy played by a big country, but the farewell of two ordinary souls who sympathize with each other.

This film is not a particularly good work from a movie point of view. If the over-beautification of the queen's personality can be restrained, it will be more realistic and objective. The flatness of the character Abdul also makes the story lose its thickness, but the film allows us to see The inevitable process of "aging old", we should all prepare for this destined kind of "desolation".

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Extended Reading
  • Lori 2022-03-23 09:03:26

    errrrrrr The mood is very complicated after reading it. Love that transcends race, culture, religion, age is very touching Foreshadowing, it feels like Alzheimer's, the story itself is good, but the story is not right

  • Kitty 2022-03-10 08:01:26

    A very pleasant viewing experience, thanks to Grandma Danqi's textbook-level performance, the handsome face of the male pet Ali, and the universal emotional interaction that is not accepted by the public, it shows the Queen's loneliness in the cage in her later years. And an emotional attachment that grabs a lifesaver. (Those frogs in the well who only use political correctness to measure the film are actually just as ridiculous as the royal family the film is about to tease.) (71)

Victoria & Abdul quotes

  • [as Queen Victoria reaches for her stamp, Abdul grabs it for her instead]

    Queen Victoria: Thank you, Mr...

    Abdul Karim: Abdul. Abdul Karim.

    [Queen Victoria continues to write her letters]

    Abdul Karim: I am always writing.

    [Queen Victoria looks at him]

    Abdul Karim: In India, I'm writing, a-all day, every day.

    Queen Victoria: So in India, you are not a servant?

    Abdul Karim: No. In India, I'm writing in my very big book.

    Queen Victoria: You're writing a book?

    Abdul Karim: Yes. I'm writing every name, who they are, what they have done. This is my life. Every day, I'm writing, from morning to night.

    Queen Victoria: And this is fiction?

    Abdul Karim: No. It is the very truth.

    Queen Victoria: I don't understand. If you are an author, why are you here, uh, presenting me with the m... uh, with the m...

    Abdul Karim: Mo-Mohur.

    [Queen Victoria nods]

    Abdul Karim: It is my humble privilege to serve Her Majesty.

    [Queen Victoria smiles, then continues to write her letters]

    Abdul Karim: I was the one who chose your carpets.

    Queen Victoria: Carpets?

    Abdul Karim: Yes. The Viceroy asked Mr. Tyler, sir, but actually, it was me. Y-you have to have a very good eye for the carpets. Uh, like...

    [walks to the carpet in front of the desk]

    Abdul Karim: This is a very nice one, for example. Very, very tight knots. The art of carpets, uh, came to India from Persia with the great Emperor Akbar. The s-skill of a carpet is to bring all the different kinds of threads together and weave something we can all stand on.

    Queen Victoria: You seem to know a great deal about it.

    Abdul Karim: My family were carpet makers, but now I write in the book. Life is like a carpet. We weave in and out to make a pattern.

    Queen Victoria: That is a very beautiful image.

    Abdul Karim: Look. Here is the bird of freedom, caught forever in the design.

    Queen Victoria: So, in India, you are a poet?

    Abdul Karim: No. In India, I make a ledger of the prisoners.

    Queen Victoria: We are all prisoners, Mr. Karim.

  • Sir Henry Ponsonby: To celebrate the completion of the Durbar Room, a little surprise, Your Majesty.

    [Queen Victoria is presented with a mango in a box]

    Queen Victoria: What is it?

    Sir Henry Ponsonby: A mango, Your Majesty.

    Abdul Karim: One moment, Your Majesty.

    [Abdul looks at the mango and presses it, some juice sticking to his finger]

    Abdul Karim: Uh, it-it's... off.

    Queen Victoria: Sir Henry, this mango is off.

    [servant closes the mango box and backs away]

    Sir Henry Ponsonby: I-I'm terribly sorry, Your Majesty.