The film shows Ma Xiaojun's sense of historical ownership. From the beginning of the film, it was said that this is a city that belongs to us, and this is also an era that belongs to us. Milan is Ma Xiaojun's emotional catalyst. He had been infatuated with her, looked around, worried about losing, had been left out of the sadness, and had been abandoned in despair. These emotional experiences made Ma Xiaojun unforgettable for Milan. Of course, unforgettable is her body in the pool, her thighs. Love isn't the only thing remembering adolescence. It intersects with life, it exists in life, and only when it is restored to life and has a contextual situation can it have meaning to be understood and interpreted. Their background is Beijing during the Cultural Revolution. Ma Xiaojun's family, love and life have been deeply branded with the mark of the times. There can be love in any age. And it is more likely that because of the simplicity, harshness, and lack of conditions of the environment, love appears more real and unconcealed... (with reference)
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