The camera movement is a bit stylized, but there are too many dazzling cut shots. The director has too much presence and no rough cult horror. The picture is too delicate, there is no roughness of the first picture, and there is less documentary feeling. There are so many characters. The first one only has one room and two people are restricted in their activities. The plot unfolded in half an hour. The first hour of the second part was as endless as the escape room, and it didn't surprise me. Compared with the first part, the twists and turns were unexpectedly tight. This part disappointed me a little. The ending is okay Unexpected reversal. But it is a little far-fetched than the first one. The ending pays tribute to the first from the scene to the lens to the narrative, but it's not as bad as it is. The reversal of the first part has a sense of a natural feeling. The second part is much worse. The reason for this is probably the contradiction between the authenticity and particularity of the characters. The choices made by the characters in the first part are very real and convincing and have a sense of substitution in the story. And all the IQs and reactions of everyone involved in the story are beyond the audience's expectations, like the doctor who sawed his leg and didn't shoot Arthur Arthur's final neat counter-kill and jigsaw. Unexpectedly, on the other hand, the IQ of the characters in the second part has decreased collectively, which makes the audience lack a sense of substitution. The moving team of Dahan's IQ is like headless flies. The quarrel and trust between the two people in the last movie were vividly displayed in the excellent two-player drama. And in this one, a large group of people wandering around in a labyrinth-like room, the plot design is not as complicated as the previous one, which is streamlined and beautiful, and the display of human nature is zero. His legs, but his human nature made him not shoot his "companion" in the final state of madness, as well as several other murdered examples, which vividly showed people's desire for life and fear of death. This one has only stupid betrayal and disunity, and for transcendence, for transcendence, for inversion, for homage, and for salute, full of ingenuity
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