People are always complicated. I think the protagonist is not so much moved by his conscience, but rather angry that he was being played, and out of self-preservation-this practice of suppressing and then raising is actually no different from ordinary superhero movies-being A certain rich man played around behind the scenes of the big boss, and then the protagonist worked hard to upgrade various monsters. After the companion sacrificed, the small universe exploded and killed the big boss.
The so-called temperament is to use various clever plots to show the protagonist's various cleverness, and use countless small suspense to make the upgrade process infinitely interesting.
The conclusion is that instead of discussing conscience digitally and analyzing his or his moral bottom line in black and white, it is better to admire handsome guys acting handsome and admit that the only secret of his success is to respect the weak and the strong. This is a solid fight, either you die or I die. Means, lies, observing one's words, and committing murder. The so-called misfortune is totally unworkable here. In the end, the protagonist won, not because he found it conscience, but because he was more ruthless and smarter.
The so-called demeanor is to execute these dirty parts so cruelly, coldly and interestingly.
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