Marx has a very insightful saying that man is the sum of all social relations. We speak of Hegel, Kant, and Nietzsche. When it comes to people's issues, they are all succinct, but they are not manipulable. The insight of Marx is an observable thing. A few days ago, there was a movie, Ghost in the Shell, which exploded a large group of pseudo-Ghost in the Shell fans. I don’t like watching this movie. Westerners don’t understand the Eastern style at all. If you ask Takeshi Kitano, you think you can shoot casually. Suddenly, it's not good. Shi Lang’s authentic Ghost in the Shell comics, to put it better, is actually a good sketch, with a length of dozens of paintings. Looking at the author’s later works, you can understand that he is not a genius for writing stories, and he can’t control first-class ones. work. The movie version of Oshii Mamoru is a god. This god is not only a god made by god, but also a god who talks about gods and gods. Here is a casual note, Oshii Mamoru’s shell core is actually very cyberpunk, that kind of apocalyptic feeling, I didn’t feel this way when I read "Neuromancer". In this sense, does it mean that Westerners understand? We can’t do the Eastern routines. As Easterners, we actually don’t understand what Westerners think. The Christian cultural circle understands the world and the mysterious Eastern culture actually follow different thinking paradigms. We can only understand what they do according to our thinking paradigm. Introduction and the like), and vice versa.
So why Japan is so admired by Westerners is because they worship the West too much. Regarding Western culture as a standard, but because of the oriental thinking paradigm in the bones, their imitation is actually a process of breaking and standing, which has a very powerful vitality (the process of breaking and standing is actually a kind of hardcore, a group of laymen Finding a path from 0 is a very vigorous and powerful process). Westerners can see that it is okay. The form is the same as us, but the meaning is completely different. We have never played this before, and the Japanese can. That's it.
We are too arrogant and think that everything is good for us. I wish our ancestors would evolve independently from the Peking Man. Those who disdain to learn from outsiders have lost such a hardcore opportunity.
Looking back, Mamoru Oshii has absorbed the form of attacking the shell and absorbed the sense of mechanical destruction of Cyberpunk. The topic of ghost in the shell should not be more oriental. Let me put it aside. The Japanese learned China back then and now they are learning. The West is the same thing. They use their spiritual core to reinterpret foreign cultures. You will know what it means by reading similar myths and legends in China and Japan. When it comes to the topic of shelling, it is the concept of animism, animism. During the prosperous period of Sino-Japanese exchanges, very low-level talents will come into contact with it. After being imported into Japan, it has become something that relatively high-level and more educated people will come into contact with. Go up a level. The advanced in China are more abstract things, or in other words, all the civilizations that develop independently in the world, the advanced are abstract things, a collection that focuses on concrete concepts and objects. It is basically at the bottom of the chain of contempt, such as Japan. Speaking of tea ceremony, kendo and karate, there is no way.
After spraying Japan, I went on to talk about the attack on the shell of animism. Why do we think that Oshii’s attack on the shell is awesome, because it emotionally discusses the concept of soul spillover. The previous sentence is too stinky. Just another way of saying it. Understand: Marx said that man is the sum of all social relations, and things are the carriers of social relations, so what constitutes a person is not only your physical body, but also the environment and all materials you are in. To repeat this statement from the perspective of idealism, it means that objects are infused with human souls in the process of being used. However, the Easterners still don't give up. If they want to follow this logical extension, they have the concept of mourning-the broken umbrella and bowl jumped and came to you.
With Fu Sangshen as the paradigm of thinking, it is too easy for the Easterners to understand the Ghost in the Shell. Injecting soul into the shell is human. At this time, Sister Suzi has been entangled with "Oh, I am not a human at all, I am a monster." This kind of thing will not happen. Humans are fragile creatures. If you become a monster, you will become a natural leader. Behind is where the mighty power of people blocking and killing Buddhas blocking and killing Buddhas, until God finally collects your magical powers with the body.
Where is Oshii Shouniu? He talks about mourning from two angles, one is the animism of things, and the other is the materialization of people. Our brains are born for perceptual examples. Concepts and concepts are piled up to become language, but in fact, people still understand concepts by rational or unreasonable extrapolation of perceptual examples. When we talk about the materialization of people, or the toolization of people, we begin to think about the image of Chaplin holding a wrench and screwing a screw. Up to this point, it is still a metaphor. Chaplin is still a physical Chaplin, but Oshii Mamoru has made this concept superficial again, which really gives a whole-body prosthetic pheasant element child the feeling of a mechanical prosthesis, a kind of Cold, the texture of the back muscles breaking when the iron cover is fully opened, and the feeling of your arms being torn by your own strength, making you sitting in front of the screen feel an unprecedented sense of coolness. From that moment on, when you talk about the materialization of people, there is a new look in your mind, that cold and sexy female police detective.
Later, Kenji Kamiyama’s attack on the shell was an excellent work done by an excellent director who was no longer hardcore. The era is no longer the era of hardcore. The predecessors have given a powerful thinking paradigm, and you no longer have so much power to go. The entire industry is being manipulated, so the TV version of Attack on the Shell has become an ordinary great work. Because it plays a role in supplementing the work of God, it is a little greater than the average great work. The Six Classics note me.
As for the movie, there is not much to say. If there is no attack on the shell, it is not a bad movie, except for some inexplicable places. In general, the logic is self-consistent. But it is because of the attack on the shell that it has it, this movie shows severely short legs, the Westerners' parody of the Eastern paradigm of thinking. What makes me most unhappy is that after Arakawa Daisuke completely controlled the final boss, he did not transfer to the legal agency, but collapsed. It can’t be like this, brother, can’t just because Kitano looks like Zatoichi, he can be happy and enmity regardless of occasion!
By the way, at the end, I will teach you a big killer for the second-yearly ill teenagers. If someone asks you who you are, you can say that you are the sum of all your social relationships. After the matter is gone, he will hide his merit and fame deeply.
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