The female protagonist looks very average, and the only scene that makes me think she is very moving is: Elle is wearing a funny bunny costume, standing in front of Warner, saying "Am I not good enough for you..."
How good is good enough?
For some people, indifference and speechlessness can become well-behaved and quiet, unreasonable troubles can become deceptive and cute, and even irritability can become distressingly childish.
For other people, caring has become an interruption, not having an interruption has become a neglect, acting like a baby has become clingy, and not being clingy has become a strong one.
For some people, what you do is always right, and for others, it will never be right.
Is there a mature and equal relationship?
No matter how hot, you won't feel overly overwhelmed, no matter how faint, you won't feel stupid.
Even if they are separated, it will hurt both of them.
I'm afraid of the embarrassment and apology that I can't respond to when the unanticipated love overflows, and I'm also afraid of the embarrassment and bitterness of not responding without echo after I give my heart without reservation.
When I want to give, once there is a pause and hesitation, I can no longer be honest. To be reserved and afraid is to adapt yourself to disappointment in advance and minimize the psychological gap. This is the basic response to self-protection.
When the ridiculous Warner found that Elle had changed, he had turned his head back when he had the connotations and qualities of a good helper that he needed. He thought that Elle would stay where he was and would not go far. With a good word, a light kiss could start again and pretend that the fault hadn't happened during this period. No one is born for you, no one can let you come and go. After destroying the original trust, don't trust a person anymore, as if a stone would not slap yourself twice. Seeing Elle turning away beautifully, I find it very enjoyable. When I love, that kind of humbleness is willing. When I leave, I have to show my self-respect completely.
Warner ended badly. Without honor, without girlfriend, without any company offer. Finally Vivian also left him. After all, to marry is to choose a life and a destiny, not to live with a 6-carat diamond ring. If the deadly roots are discovered, they must end early. The road is still long. If you can't compromise, what can you do if you send Bird on a rock? Warner is a loser, maybe his original intention is not wrong, he just wants a good wife to make himself go higher and farther in the official career. This is understandable. His mistake was to look back at Ella with Vivian on his back. He made his relationship serious and intellectualized, and he chose the best solution within his power as if he had programmed a program. This is dangerous, because there are people outside the sky. , Who knows when the range of his ability will expand? Marriage does require a lot of reason, so choosing the best method is the screening period. When the next person is determined, the screening period has ended, the search stops, and the best method is no longer applicable. What's more, any person with feelings will give the selected person a first-mover advantage and cumulative effect. This inertia is like the gravitational force of a black hole, once it gets close, it will be invested. If you cast a net everywhere and are ready to withdraw at any time, what is the difference between this kind of marriage and a transaction?
Elle's success is inseparable from her family background, growth environment, value establishment, appearance, and a series of accidental lucky coincidences, and even the help of the people around her. It is a miracle in probability that one person can have so many advantages at the same time and encounter so many coincidences. Although very unreliable, it has a strong American taste: self-confidence, self-esteem, and self, as long as you dare to think, there is nothing impossible.
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