Fellini filmed for his old wife, dissecting her half-truths.
She almost played herself.
The display of dreams and subconsciousness, as a person who dreams every day, feels intimate.
Exquisite composition, the settings of light, shadow and color are also quite impressive.
Intense Fiji style.
If an American filmed this subject, it became [Pippa Lee's Private Life] . The
plot in the film was more impressive:
an Indian spiritual teacher came to preach.
Someone asked: Is there heaven and hell?
The female protector gave him the sword: cut me. (Whispering from the audience: this is a fable of 'Lao Tzu') The
man raised his sword and she said: The door to hell has opened.
Of course, the man couldn't bear to let go, hesitant, and let go. She said, "The door to heaven is opened.
Isn't that 'putting down the butcher's knife and becoming a Buddha on the spot'?" I have an epiphany.
Heaven, hell, in between.
Aside from being a bit long and boring, it's fine.
View more about Juliet of the Spirits reviews
