——Isn’t it normal that the person you like already has a heart, because you like her, so you only have her in your eyes, people, you always love blindly. Frankly speaking, the story of "April は Jun の shu" itself is not fascinating. The plot design is probably at the level of ordinary Korean dramas, and the ending can be guessed from three to four episodes. For my plot-oriented reasoning control, there is no attraction at all, but in the end I was driven to watch it, and people in the late stage of lazy cancer wrote this film review. The most important credit is the charming classic of "April" Department OST. It was a coincidence that when I heard Yuuna Shinohara's version of "Piano No.9 in A, Op.47 - "Kreutzer", I was immediately struck by the long-dead youth in my heart. Maybe the piano is really suitable for young people, and the violin is just a tuplet that crosses the age line. In the play, Miyazono Kaoru is undoubtedly the one who leads the stagnant Arima Gongsheng to the next movement. Probably because this was her dream, Miyazono Kaoru was shaking her hands, waiting for Arima Gongsei's evaluation of the melody she ran with her life. Gongsheng, on the other hand, skillfully used children and flowers to express his compliments gently. Really a gentle person. That's why Miyamoto Kaoru wrote in the last letter, "I, have it taken root in your heart, even a little bit, about me." - He's really a gentle person. But as it happens, that's what we've all been through, everyone pretending to be "chocolate when you're sad and hop on one foot when you're happy", called Variations of Youth. Actually Arima Gongsheng faced the sobbing Miyamoto Xun, walked under the sun and said, let me be your accompaniment. The love part of this play has come to an end with the end of "Introduction And Rondo Capriccioso, Op.28". If you insist that love may be a bit overdone, let's take it as the wish of Miyamoto Kaoru as a child has come true. I found the company of starlight on the road of eternal night, and let myself live in the heart of someone who can say that I like you three times in a row. In the end, Kaoru Miyazono left, although he was prepared, just like "Ballade No.1 In G Minor, Op. 23" gives the impression that I can't tell the taste, but it has a long aftertaste. It is always inevitable to be touched by the hidden memories in the bottom of my heart. ——About ten years ago, my first love also "died" on an ordinary and featureless afternoon, and there was no real feeling that the performance called youth had ended. Man, you probably need a distinctive stop before you can accept it seriously. The story about you and you has come to an end. So, do you still remember the winter when the dark clouds faded, the lights came on, and the moonlight poured down from the window. —The parting kiss I asked for from you?
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