Many people say that " The Barbarian Story" is about revenge. In my opinion, revenge is just a way of expression. The true core of the six stories is the barbarity hidden in everyone's heart. Wild! Speaking of hidden wildness, I can’t help but think of Polanski’s Carnage, or "Civilized Barbarians." Polanski uses a small theater format, recording emotions in a closed space through the stimulation of speech and behavior. Out of control, as the positive phrase of civilized barbarians implies: civilization is only a wild modification in the heart, or everyone is barbaric inside, but different growth environments and educational backgrounds are plated with the same barbaric attributes. Civilized glazes of different thicknesses.
There are always people who claim: the movie is dead! Of course, they have their own measurement standards, which may be due to the saturation of technology or the bottoming out of deep exploration of human nature. But in my opinion, the separation of the appearance of civilization and the refresh of the bottom line of mankind are always innovating! In the final analysis, it may be Las’s physical exposure in "Female Addicts", or the absence of rationality in "120 Days of Sodom", or the taboo of the necrophilic couple in "Confused Romance" Challenges, even if they are naked, erotic and disgusting, these expressions are still the external visual bottom line. Therefore, the inner bottom line of human nature shown in "The Barbaric Story" is not much higher than the above-mentioned ones!
[Until death separates us] The
six stories have different styles, but they do not deviate from the dark theme. Looking at the whole "Savage Story", the most surprising thing is the story of the 6th wedding. I like this story not only because it peels away the outer civilization and explores the inner darkness so vividly, but also because the protagonist of the story builds a new civilization on the bottom line after the story has reached that bottom line. Let’s talk about this fascinating story first!
At the wedding scene, the protagonist and the protagonist made promises, but at a certain moment the protagonist suddenly discovered that the fiancé was acting ambiguously with a bitch. Our witty catching and rapist mistress confirmed that the little bitch and the fiancé had a relationship by various means. Without a doubt, the heartbroken hostess immediately fled the wedding scene to the top floor to breathe. [This constitutes the harm of the male lead to the female lead] The female lead who ran up to the top floor met the cook who was resting on the top floor. The female lead who was blinded by grief immediately regarded the cook as an object to vent her emotions, complained of bitterness and kissed herself and sat down on her own. [Female protagonist's revenge self-destroy] And the male protagonist who came up witnessed the fiancee who was in the joy of fish and water [Female protagonist's revenge of the counterattack male protagonist] The captured woman protagonist was not embarrassed but turned on the open mode: tearing up with the protagonist Forced to tell him that my old mother will use her life’s torture to avenge her. She returned to the wedding scene and threw Xiaosan on the mirror by dancing. The cathartic revenge is not over yet, and the heroine continues to use words to stimulate the hero who was stimulated to collapse.[ The heroine’s revenge is victory] The heroine and the heroine refreshed the bottom line of the two sides as they shouted, while the heroine who had already reported his grievances sat down on the floor. The heroine presses on the table to mate, and the story ends! Oh, by the way, this story is called "Until death separates us" (Hasta que la muerte nos separe).
Such a sketch is as hearty as chopping ribs with a machete! The two people who did not tear up looked for thousands of reasons to convince themselves that we love each other so much, but after tearing up the hug again is only because I still love you. The power of the two parties is to touch the bottom line of both parties, even if the marriage is no longer unbearable. Regarding the tragedy of human nature, superficial optimism avoids it, false optimism conceals it, facing the inevitable tragedy, Nietzsche unearthed Dionysus, using the spirit of Dionysus to vent his emotions, abandon the bondage, and return to the original state of existence To provide a solution to the inevitability of the tragedy. To retranslate this western-style theory into the film language in "The Barbaric Story" is: marriage is a tragedy, early tears up early! Give up the superego (ego) to have the perfect sun god regulation, and explore the madness of the id's biological impulse. You see, Nietzsche and Freud have brought you a solution to the tragedy of life, and why don't you go crazy?
[Tear the age of addiction]
This 1/6 in "Savage Story" is not only a part of the whole movie, but also reflects the same theme of the times. Just like a lone wolf howling in the wilderness to summon a pack of wolves, the soldiers blew their horns to assemble the corps. "Until death separates us" the whole story also gathers the same dark temperament film. Especially in recent years of creation, the creation of digging the dark side of marriage and love has blown out. The most representative one is David Fincher's Gone Girl (the disappearing lover). In the description of the relationship between the two parties, the mating theorem "bitch and dog, forever" is accepted by more people. In the final analysis, this is about the design of the bottom line of the couple. The two parties in the marriage who are unpredictable in their intentions use marriage as the proposition to freely carry out dark creations, or use the form of marriage to achieve self-realization.
In the miracle House of Cards (House of Cards) produced by Vinci, the former lovers Frank and Claire also have a bottom line problem. One side of the marriage is a deep cabinet comrade husband who can only make love in a dog-climbing manner, and the other side is a desperate wife who likes to elope with the artist for a while to withdraw from the marriage. Their marriage was built on each other's career, and in the third season that just ended, the wife finally left her husband, because the husband had long forgotten the contract to maintain his (her) marriage. There is no lustful caress, only the bondage of the contract. With the help of the writer who wrote a biography for her husband Frank, the House of Cards explained the essence of the marriage of the two protagonists: A cold fusion of two universal elements, identical in weight, equal in force. United they stand, a union like none other. (简Translated as: unanimous outside under equal relationship and power resistance) If Gone Girl is the bottom line of the marriage and determined the mode of getting along, then House of Cards is how the marriage parties abide by the contract after the bottom line is determined.
The previous hot Fifty Shades of Grey (Fifty Shades of Grey) interprets the contractual spirit of the love relationship from another angle. The president and Xiao Sheep trace the bottom line of the relationship through a professional sex contract. BDSM (BD=binding bondage+discipline; DS=dominance+submission; SM=sadism+masochism) as a kind of ritualized relationship bond, rubbing the boundaries of lust, lustful and obscene relationship, this externalized internal contract Isn't it a bottom line? And Polanski’s 2013 work Venus in Fur (Venus in Fur) deconstructed the original work of the same name by Masoch, a master of masochistic literature, and outlined the male protagonist’s mental journey of surrendering to the female protagonist and willing to be abused, reaching a touch. The bottom line expresses energy efficiency.
[Let’s write a conclusion]
A passage in "The Barbaric Story" leads to Gone Girl, House of Cards, 50 shades and Venus in Fur which I did not expect. It seems that all the images with memories are pointing to that conclusion: Pure love is abstract, and a normal emotional relationship is what both parties need! It is obviously anti-human-kind to make this kind of inadequate conclusion in this era when the whole people are facing the sun, but is it not the case when we carefully review every relationship around us? !
If you feel that your outlook on love is not dark enough, you can also refer to the following videos:
1. "29 Palm Trees": Foreign couples with poor language and poor communication use lust to verify the existence of emotions
2. "Silver, sex, men and women": Carver The original portraits of middle-class sentient beings, the appearance and connotation of relationship maintenance
3. "Love in June Flower", "Bitter Moon", "Unbearable Lightness of Life/Prague Love", "Dream of Paris": Intervention of Others in the Two People's World , The bottom line of open desire
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