when you crave class promotion

Chelsey 2022-09-15 09:21:11

The film's shots are cool and restrained, just like the male lead's character. When the protagonist is excited, the shot becomes different. The camera is accompanied by the narration of the hero, and the audience is like the hero, quietly realizing his ambitions, desires and disillusionment. The use of film language is consummate and blown away.

To be honest, the heroine's family is one of the less noble families I've seen (compared to the arrogance of other rich people towards the hero on the night of the injured little girl). The male protagonist finally attributed the reason for the breakup to the female protagonist's class, which was actually a subconscious self-defense behavior. He didn't reflect on his selfishness and greed in the relationship. It can also show that he originally linked the promotion of class to the female lead. The heroine is a smart person. She discovered the problem of this relationship with her feelings, and sensitively rejected the marriage proposal (PS: The heroine played Jane Eyre, which is also a cross-class love, and that pair is really true love).

All in all, vanity is really easy to lead to crime. Childhood yearning turned out to be an obsession. Alas, it is indeed necessary to understand the essence of prosperity and wealth in order to properly handle the feelings of envy, jealousy and hatred towards the upper class.

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Extended Reading

The Little Stranger quotes

  • Faraday: I'd like to bring in a psychiatrist.

    Caroline Ayres: First Roddie, now her. How long before it's my turn?

  • Caroline Ayres: My mother would rather die than bring any more shame upon this family.

    Faraday: I won't abandon her to her delusions for the sake of class pride.