Work recommendation! Talking about "One Punch Man" and "100% Psychic". (It will be sorted out in detail later) But in fact, what I want to recommend the most is the original ONE of these two animations. The author's works are eclectic, and the anti-routine has been brought to the extreme. First of all, the works such as Hokage that we originally watched were the struggles of hot-blooded teenagers, and the protagonists grew from weak to strong. But One Punch is different from this kind of royal manga. His protagonist Saitama is the strongest in this manga from the beginning, a hero who is motivated by interest. He is unmatched in strength, but he has become a person with a cold temperament and no desires, and what he is distressed about has become the weakening and lack of his own humanity. The author does not focus on depicting his personal inner activities, but allows other characters to be attracted to him by his various qualities, and he seems to be a protagonist other than the protagonist. This work also deconstructs the concept of heroes and places them on different characters. I didn't understand the meaning of deconstruction until I watched this work, and it was very interesting. Another work, "100% Psionic Power", is relatively more human. It is about a young man with superpowers who has a master who does not have superpowers. He has superpowers in life, but he doesn't get as many benefits as we think. He doesn't learn well, can exercise, and become the focus of people because of this. He was even troubled by the fact that his superpowers would get out of control. The super power is set as an emotion here, and the teenager does not want to use super power in life, because then he cannot experience life itself, but the crisis around him will still appear. I feel that I have actually said so much. The author deconstructs various eye-catching concepts and makes us think about seemingly ordinary things. He did not fantasize about life, and life is not a kingly comic, all kinds of people are struggling in the process of finding their own position. The only thing the author preaches is at least being a nice good guy here. In short, we like to watch Mr. ONE's works, not only because of the novelty brought by the character design, plot setting, and anti-routine pattern of character goals. Think of passers-by, Linghuan, Saitama-sensei, how much we can feel ONE's deep humanistic care and ardent and forbearing love for human beings!
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