First of all, it has a strong individualistic cult. The soundtrack in "Fuck Him*'s World" is all selected by my favorite blur band former guitarist Graham Coxon, so I naturally feel that it deserves full marks. Leaving aside this individualism, the soundtrack of "Fuck Him*'s World" really played a big role in the expression of the characters' feelings. Let's talk about the relationship between music and characters. First, the mood of the protagonist can be clearly felt from the beginning. James and Alyssa, from different perspectives, have the same plot, but used two different music styles, rock and lyrical, reflecting the two different music styles of James and Alyssa at the time. The mental state of each person. Second, with the departure of James and Alyssa, in the process, the soundtrack promotes the plot development like a dialogue, walking all day... This kind of experience is similar to the protagonists, and there is a little helplessness in the playfulness. , Laid the emotional tone. When the audience is drawn by the anti-routine of the plot and watched step by step, the end of world undoubtedly fully mobilized the audience’s emotions, thereby achieving a deeper resonance, deepening the tragic effect, and bringing more to people. Thinking. In addition, I like the faint sense of alienation in the soundtrack of "Fuck Him*". The sorrow is faint, and the joy is not overly passionate, like a restrained sorrow, and like James and Alyssa who think they are mature and brave. Not that hard heart.
View more about The End of the F***ing World reviews
