An enjoyable period adaptation

Lola 2022-03-24 09:01:37

A lot of center composition, even an over-the-shoulder shot will insist on placing the front-facing character in the center. A lot of Zoom out, removing the sense of space, is more like the inverse process of observing paintings. The music is neither happy nor sad, and it is firmly advanced.

Joe 2022-03-23 09:01:40

I really can hold my breath for three hours, and there is no point at all to jump out and do something big. The difference between the master of the signs and the mortals is that even the climax does not float at all, making the audience look anxious, but it is too difficult to replicate. Kubrick can really capture all genres. This historical theme is like a sports oil painting. It is unfolded in a calm third-person narrative. There are countless jokes interspersed with grace. Although the penetration of the level accepts the upper-class social atmosphere in the growth, but always maintains the gentleman's demeanor and atmosphere, runs through the whole film with a high dignity, and stands in a European aristocratic world before the morality is completely destroyed by the super strong fighting ability. In addition to the direct reference to Gainsborough, Hogarth and Wallis on the screen, the depiction of the Seven Years' War between England and France is also very exciting, from the life of the soldiers to the battle of the position. The creation of candle lighting is also astounding. The adjustment from the first person to the third person of Thackeray gives the oil painting a witty narrative with a slight distance. Also, the male lead really looks like Rousseau.