Unlike Mozart. That's a matter of Mozart and Salieri. Salieri is still Mozart's foil even if he is brilliant. The character of Mozart is one with the film Mozart—he is the proposition, he is the question. The Goya of "Goya's Soul" has almost become a prop for storytelling. Lorenzo did a great job, but even though it was overwhelming, it still lacked the power to support the theme. Perhaps I should say that the fate of Spain is the real protagonist of this film? However, in this case, Goya's existence is unnecessary.
Ah, anyway, the Spain I really cared about had long since disappeared with the demise of the Habsburg dynasty. So whether this film is good or bad, I can still watch it in peace after all.
But to be fair, the ending of the movie is really good.
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