I couldn't ignore the melancholy that suddenly hit and linger, just like Aisha couldn't make a whisper to her ears.
From 7.7 when I watched it on Friday, to 7.5 and then to 7.4, the score dropped like snowflakes. Even though I was a little disappointed with the movie, I still feel very sorry. Because this is still a well-made movie, even if it fails to win flowers and applause, it should never be abandoned and slandered. I used to be a critic, but I am definitely not clamoring to belittle the work to exalt myself. My disappointment is because I have seen it the most perfect moment, because it carries my laughter, my praise, sighs and tears, and it is because of my singular existence of the fairy tale dream of "Frozen" Worship, love and admire. So when all these like fairy tale castles and ice-snow palaces slowly collapsed and melted before my eyes, I felt deeply sad and sorry. This sadness is the price paid for love.
In addition to the stunning beauty of the first work and the delicate emotions that break the rules, a large part of the success is also attributed to the outstanding songs. An important reason for the popularity of "Let it Go" around the world is its inherent spirit, a kind of courage to face the self, a kind of unrestrained freedom, a kind of pleasure to reach the sky, a kind of catharsis, a kind of Sublimation, that is the true heartfelt song, is the instant release of the burden that has been suppressed for more than ten years, it is a beautiful force that can make people cry. In the two movies, Aisha is completely free only at that moment, and she lives completely for herself. At all other moments, she is doing it for the country, for Anna, for her friends, for the wishes of her mother, and for herself. Live with responsibility. She is selfless, great, but also heavy, nervous, and tired. Under her gorgeous clothes and elegant appearance, she is always anxious in her heart. In this movie, Anna also questioned Aisha from the bottom of her heart, you have been living the way others hope, are you not tired?
To talk about two of my losses in the plot, one is the separation of the sisters Aisha and Anna, and the second is that my favorite Xiao Thirteen never has a chance to show his face again. Although it has not been forgotten, it has never been able to appear on the stage or even whitewashed as hoped, and can only live in the ridicule of the protagonists. Why! It’s a pity...I absolutely love Hans more than the two male characters in the series. They are so affectionate, gentle, noble, selfless, and personable, as if all praises are placed on this young prince’s head, but in an instant The blackening came so suddenly and unreasonably, the collapse of the image was unexpected. A young man who failed to subvert the regime and usurp the throne, and a monarch who provoked the war to destroy nature and peace because of suspicion and fear. In fact, these two characters can be polished and polished in the script.
Compared with Hans who was hidden in the snow, Christopher was a bit dull and dull. He seemed a far cry from the beauty and elegance of the sisters and the nobility of the royal family, but he was kind, sincere, and had a passionate heart. The solo "Lost in the Woods" in the forest resembles the popular music MV of the 90s. Although funny, it shows the soft and delicate side of this clumsy big boy. The flashback shots that have been shared with Anna and paid silently. It really made my eyes red. Especially flash back to the moment when he rode Sven and hugged Anna in the first work in the camera and hurried back to the castle, so anxiously but gently put his felt hat on Anna's head, who was almost frozen in his arms. Moved to the sore nose. After hardships and hardships, finally getting married with Anna is also well-deserved.
And I think this film focuses on giving Christopher want to propose to Anna so much. It is a kind of "settling the chaos" by Disney and the creative team. Since the first film, it conforms to the rise of feminism in the new era, and takes the kiss of true love from the traditional princess and the princess. Since the prince’s love shifted to the selfless and strong family relationship between the sisters, many so-called same-sex love jokes have been rampant, and even intensified. In order to reverse this idea that deviates from the original intention, Disney also aims to avoid sending wrong signals to the children and the audience. Only in one movie will such efforts be made to allow Christopher to propose to Anna successfully, and to separate Aisha and Anna for their respective lofty responsibilities.
Today with such advancement in technology, stories are still an indispensable soul and connotation. This sequel has far-reaching intentions and a clear framework, but it does not have a full and luminous story that can support them. Wind, fire, water, and soil, the four spirits of nature, plus the fifth element of love is a commonplace pattern. How to express new ideas is the key. Peace, nature, trust, reflection... The theme is condensed enough, but not concise enough. When I look forward to a climax that should appear on the stage, I never see the outbreak, as if I digested this heavy internal. I said half-jokingly at the time that I didn’t think I wanted to make a sequel because I had a good story. It’s like a story built up to make the sequel. I watched the interviews with the main creators and it was indeed the case. The production team I have traveled through the mountains and rivers to collect scenes in the Nordic countries many times, but the creation of the story was completed in a cafe on the way.
Panoramic composition, panning, deep focus, face-to-face, front-facing follow-up...The creative team has developed the lens to the fullest; quiet mist, clear forest, clear stream, turbulent sea, rushing flood... The presentation of natural scenery has also been achieved to the utmost beauty. But such a perfect and extreme picture did not save the powerlessness of the story and the song, the kind of lack of release, like a disgruntled child, a depressed youth, and a listless horse. Just like the songs in this sequel, they are always very gentle, but the syllables that should be expressed in a high voice suddenly drop in pitch. The few highlights are those similar to the first song.
Although the story is not satisfactory, the way of telling the story is still pleasant. The foreshadowing is very delicately buried, interrelated, eliciting the background, and echoing from end to end. Father told the sad story to the young Aisha and Anna. The innocent Anna widened her innocent eyes and asked in an eager voice that could not be understood at her age: "Who would hurt him? Where's the gifter?" The mother sang the old lullaby to the two daughters in a soft, melodious, melodious but profound voice, which later the Northland girl smiled and couldn't understand the meaning, "Where the north wind meets the sea , A river full of memories flows quietly..."
"In her deep river, there is the answer and direction you are looking for"
The second time I watched the movie, I really understood the meaning of Aisha's defiance of going to Ata Horan and the final separation of Aisha and Anna. In addition to the awe of nature, the correction and remedy of past mistakes, there is also the unimaginable and bearable melancholy of a great mother who silently gave, the bitterness and bitterness of carrying secrets and leaving home, and the warmth and warmth of being a wife, mother, and happy family. What kind of forbearance is the intertwined feeling. Because the sweeter life is, the more profound the melancholy.
"Dive into it, listen carefully, don't go too far, for fear of being submerged"
In the bitter cold water, the young King Aigner hugged his beloved Queen Aduna tightly, just like a girl with the wind at the beginning hugs the enemy boy in the mist where the army meets.
"Come on dear, come home with me, everything lost will be found"
The parents passed away for their sins of not belonging to this generation. Muffled music sounded, and the heavy curtain fell. They went to learn the secrets of their daughter's life experience, but left behind their dazed daughters. King Aigner didn’t know how heavy his sorrowful secret his wife had buried him alone. He might not be able to fulfill his sacred duties as a king and father as expected, but he interprets the great connotation of a husband by himself. .
The national version is still very good and almost pleasantly surprised, except for some male voices that are not calm and mature, overall it is very successful. It is perfectly integrated with the rhythm of the European and American context, and it is difficult to find abruptness even in the character's mouth shape produced according to the English pronunciation. The songs written in Chinese are an important motivation for me to watch the Mandarin version. I am very moved by the return of Li Xiaoxiao and Hu Weina after a six-year absence. These two are the essence and guarantee of the national version. The first works "Let It Be" and "Long Time No Life" are like natural sounds, and they still reverberate in my mind. Although composing is the skill of the original creator, the rhythm and rhyme are almost impeccable, and the inner aesthetics of Chinese is also It adds a unique aesthetic to the wording. The "Unknown Truth" and "Hold You Will Not Change" are still more fascinating and high-level in the Chinese context. Many of the contents that were not heard in the original version are really felt here, enough to see Chinese Attentiveness of the creative team.
Compared with the dream and gorgeousness of the first work, this sequel is also more real and dark. It seems that a grown-up child (the creators also said the same thing), learned sentimentality overnight, and tasted mixed flavors. This beautiful melancholy with nowhere to rest may be destined to be irresolvable, but for me, "Frozen" is always a fairy tale that cannot bear to read, a dream that I don't want to wake up. In this dream, I have all my beauty and moving.
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