If you want something, let it go, if you find it, it's yours forever

Keenan 2022-03-21 09:02:13

The film begins with the hero and heroine believing that they can simply choose to forget about extramarital sex.

The occurrence of extramarital affairs cannot be regarded as non-occurrence. It will make each other doubt each other's love. Is his love to make up for his fault? Still really love me? A passage from Balzac teaches us to see this: "But I cannot love the count any more. This is the point, do you see? I see my own as soon as I meet his gaze. Negligence, even if his eyes are full of love. The more magnanimous he is, the more sinful I appear. My eyes that will never settle will always see an invisible sentence. Mess of memories must collide in my heart. "It is impossible to want to simply choose to forget.

The two sides can only choose to leave. If the love for them can make you choose to forgive, then they will come together. That is to say, after separation, you can see how deep your love is and whether you will forgive yourself and the other party's faults in the marriage. That's what the opening movie says: "If you want something, let it go. If you get it back, it's yours forever. Otherwise, it's not yours at all."

Leaving aside morality, the rich man in the movie is very mature and has a set of ways. He does not do any coercion or begging. He uses the method of a mature man to let you go to him naturally. These are all his advantage. How does the heroine feel about him? There should be many examples of this kind of relationship. The heroine will care about him, accompany him, live together, and take care of each other. At the same time, the heroine can love another person wholeheartedly. This is the result of this kind of relationship: he does not really into the heart of the heroine, they can accompany each other but there is no real love. The rich man also saw this, he chose to give up, and he finally said: "She will never look at me with the eyes she looked at him."

In the whole film, the rich man is very calm, he is not as embarrassed as the male protagonist, but he is not necessarily a good person, because he did not fall into any difficult situation, the male protagonist said: I thought he was A better man than me, now I know he's not, he's just richer than me.

This incident hit the male protagonist hard, but the male protagonist did not fall down. He gave up the one million yuan and re-invested in life. He continued to love, and at the same time chose to let go. It's a comedy in which the heroine finally comes back to him.

If you imagine such a scene and imagine that the male protagonist is a vulnerable person, then he may be at a loss, resenting the female protagonist and the rich man, retaliating and squandering the evil one million, allowing himself to make irreparable mistakes, The ending was very different. horrible.

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Extended Reading
  • Rocio 2021-12-31 08:02:25

    This is Adrian Ryan’s last work before lolita was filmed. Many expressions have already emerged here: play and gaze by the refrigerator; intimate behaviors performed on the money-sprinkled bed, with the tension of acquaintance and power. The anger at the phone call, the secret meaning of communication with the outside world contained in the phone call; No matter what kind of love relationship, Adrian is accompanied by soothing and distant music, with a strong sense of fatalism, and strengthens the encounter of characters with disproportionate power status. Irresistible, these are all amplified in the subsequent lolita. He has surprising intuitions about the secrets and guesses contained in intimate relationships. This is a story adapted from the novel, but it is not thorough enough. It takes into account the perspectives of three people and tries to distinguish the difference between love and love. In lolita, there is no such restriction, so Adrian can go farther and more wanton.

  • Liana 2022-03-27 09:01:10

    Demi Moore is so beautiful, I also like that kind of mature and poised man

Indecent Proposal quotes

  • David: [while playing pool] I guess there's limits to what money can buy.

    John: Not many.

    Diana: Well some things aren't for sale.

    John: Such as?

    Diana: Well you can't buy people.

    John: That's naive, Diana. I buy people every day.

    Diana: In business, maybe, but you can't buy people not when real emotions are involved.

    John: So you're saying you can't buy love? That's a bit of a cliché don't you think?

    Diana: It's absolutely true.

    John: Is it? What do you think?

    David: I agree with Diana.

    John: You do? Well let's test the cliché. Suppose... I were to offer you one million dollars for one night with your wife.

    David: I'd assume you're kidding.

    John: Let's pretend I'm not. What would you say?

    Diana: He'd tell you to go to hell.

    John: I didn't hear him.

    David: I'd tell you to go to hell.

    John: That's a reflex answer because you view the question as hypothetical. But let's say that there was real money backing it up. I'm not kidding. A million dollars. The night would come and go but the money could last a lifetime. Think of it. A million dollars. A lifetime of security... for one night. Don't answer right away. Just consider it; seriously?

    David: We're positive, okay?

    John: Well then you've proved your point. There are limits to what money can buy. It's late, and I hate to admit it, but I have meetings in the morning. May I have one dance? With your permission.

    David: You know something? I think you better hurry on to that meeting. You don't want to miss out on your next billion.

    John: Understood. I wouldn't part with her either. Good night.

  • Diana: Somethings are not for sale.

    John: Such as?

    Diana: Well you can't buy people.