Deconstruction is really a concept worth looking into. The romance and confusion of young people are tied to their existence. It shows that you don't know what to do but dare to do anything. And I don't know if the trick of covering the face of the gangster with his socks is the first of this film. But from a love point of view, it has the best ending of a love triangle in the movie. "The way a man falls in love with a woman is always thinking about her eyes, breasts, and thighs, and so do I."
He only had to look at her to know that the world had collapsed in front of her. Even the simplest picture with these lines is extremely romantic, and the romantic tone is already at the beginning of the class when the teacher says, "You don't need to know what a house with a bathroom says, but you need to know Thomas Hardy and Shakespeare." Deep into the bone marrow of the film, it is France.
The plot sums up a very simple line, but the hidden skirmishes never stop. The love triangle at the beginning is also very dramatic. The girl will always only smoke the cigarette given by one boy, even if he will always be the second one to invite him. There are also three people in the middle, challenged to quickly run through the Louvre. The ending is dramatic and reversed. The boy who went back in order to save people's money died at the hands of his uncle. It seems absurd and justified enough. Even ordinary plots on the subway should be accompanied by poetry, so that you won't be able to run away for a moment.
The language of the camera is also perfect. When I was silent for 60 seconds, my heart beat faster and I was brought to rhythm. The form of the narration was also very innovative. In short, is it really true? The ancestor of the literary film is correct.
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