The problem is that it is such a seemingly flawless life that Sellin is making the necessary sacrifices. Women should be like this, mothers should be like this. What she is dissatisfied with is not that men can be free, but the fate of women for thousands of years. It's the sort of thing that is commonplace unconsciously.
When discussing marital dilemmas, it is more about women. They have more demanding requirements for life. And the male, once again dull.
Men enjoy the gender dividend for a longer period of time in marriage. This is justified. What Sellin wants to resist is this perfect day of farming and weaving, and whose sensory system is the leading factor in the family. This goes beyond a purely personal relationship between two people and becomes a matter.
Selling more like forcing Jesse to compliment her and give her a guarantee of love, which makes her even more nervous. The love of men in the world for their wives is limited, limited by self and self-esteem. Women are more likely to destroy their self-esteem to love, and then feel deeply uncomfortable.
As soon as the movie opened at the luncheon, Sellin played too much in front of everyone, making people vaguely feel that she was not at ease. She is out of balance. And Jesse is more like the rational side.
All men in the world cherish the marriage that is easy to pass by. Instead, women resisted hysterically and puzzlingly. Women listen more to perception. They don't know where the way out is, just feel that something is wrong and endure enough-they don't realize that men are also enduring them, enduring them, enduring life.
The man (Jesse) finally found sadly that it was difficult to have perfect intercourse with his wife. Because it depends on the mood of the woman. To curry favor with them. But he still doesn't want to be more embarrassed. There is a limit to making a small face.
In the movie, it seems that Jesse is the more tolerant party. Because women's pay is more hidden. Women must love the kitchen, love children, love those things about women? What lies between the two soul mates is not only the seven-year itch, but also the eternal mess of mankind.
I don’t think anyone really believes in that clumsy, optimistic, false ending, right?
After listening to Jesse's threats or warnings, Sellin changed his mind instantly, which was unbelievable. This kind of incredible, of course, has its authenticity-women are incredible incarnations. But in terms of logic, it is a failure to portray the black heroine.
Is she yelling about going to bed so quickly? So it was captured by the "time machine" prophecy (still a fake)? This turning point has come too soon. You can also mediate and say that Sellin has emotional intelligence after all, not just a shrew.
For thousands of years, the roles of men and women have been positioned like this. But more and more men are troubled by not finding a wife who meets the requirements. If they don't say it clearly, it doesn't mean they didn't do it. Men don’t like to talk about feelings, but to act directly. Jesse's alcoholic ex-wife somehow reminded me of the classic literary image, the crazy woman in the attic.
The audience expecting this to be a romantic movie will eventually find that the director has gone further and has no direction. It's not just the bad things in marriage, but the opposite of the marriage system. It is possible to explore the possibility of deconstruction at any time in the most satisfying appearance.
People who have experienced the life of both sexes may have experienced this kind of rift. The last moment was still there, but the next moment was an inexplicable quarrel, absolutely cold. The film uses its artistic methods to show the embarrassment and flaws of the enviable love. They are solving their own business. The question is, are you optimistic about them? Can it be solved? Women are complaining, men have no place to reflect.
Oh, is the psychological altitude of women getting higher? The man is confused and troubled by this. What happened to my partner? They endured it kindly, but they were considered to be reluctant to change and escape the status quo. This is the dilemma. A good family is one who throws it away and the other is willing to pick it up in the back. But not infinite.
Sellin also wanted to do what she liked, she kept saying that she didn't care about her appearance, and forced Jesse to give her guarantee. Contradictory women must make many men think the world is crazy. Why is it so difficult for women? What is the way out for women? Their sensory system is different from that of men.
In fact, if people abandon loneliness and try to escape in the form of love, they must pay a price. The old writer said of his wife at the dinner table: "We are two separate individuals, each with its own space." Various assertions about the marriage relationship are like a contract. If there is no approval from both parties, this Still don't have to take it too seriously.
Julie Derby is getting old, and the magic skirt makes her waist less fat and unpleasant. In return, she showed us her still beautiful upper body. The director must think that the two middle-aged men and women who are losing their beauty are too unattractive.
Jesse is also getting old. This is fair. The red spots in his beard have disappeared, and Jesse said it was because of the whitening. He is not like a writer in a study, the whimsical ideas in his head are more like the work of a magician. They now only have a kind of harmony that stimulates each other in their thoughts, but it is also sporadic accidental. There are fewer moments of endless talk, and they are all condensed into the movie. It is reminiscent of all sorts of teasing and talking when they first met.
Sellin returned, said I no longer love you, and slammed the door again. The eyes of the injured Jesse gave several obvious freezes-the teacup that Sellin made, the door (will the door still open? He hoped that she would come back), coupons for couples massage... Sellin said it was vulgar Things that make her sick. Sellin's perception is really strange, while uttering provocative foul language, while thinking that couples massage is disgusting.
This is still a question of initiative. She must be under self-control to activate her sexual desires normally. Once she fell into a passively accepted position, such as a holiday in Greece, a romantic hotel given by a friend, she became impatient.
For Jesse, Sellin's French ass is nothing bad. Men are not so fickle. Once they identify a woman, as Jessie said, "I leave my body and mind to you."
Whether Jesse has an affair, I tend to have it. However, there are some particularities about what it is for, and how to end it. If Jesse didn't recruit, it might be Liu Xiahui. After all, a broken phone card is the worst excuse to deceive his wife.
But men are the kind of animals that make low-level mistakes.
The movie highlights this interestingly-look, it is you women who are fickle and grudges. You have so much dissatisfaction, God knows what's wrong with you? You get fat and old and become ugly, as if you are spreading your anger on men. What kind of green onion is this?
Men control the world, women control the family. It was good for the first time, but now one party is getting into trouble. Jessie admires Sellin, there is a kind of female worship in it, more because the latter provides inspiration and material, without her, he may not have so much to write.
Sellin knew this well and didn't feel the slightest sense of honor for being "inspiration and material". What she is tired of is that men are more lazy and do not want to make progress, such as those tricks that are always in bed.
The dialogue in the film covers all aspects of the life of the couple, from housework, leadership, to sex. When the ancient marriage meets the individual century, I think the director is saying: to understand men, but also to understand women. In the end, it is more and more difficult to understand people.
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