In this film, I wonder if the story is all based on blind adjustments, and then I will get you a feminist to sublimate the whole wave?
There is no logical reasoning, the story is thin and weak, the characters are face-to-face, the two Holmes brothers are outrageous, and they are too awkward to break the fourth wall with cleverness.
A movie that doesn't put good storytelling in the first place, but instead engages in those bells and whistles, and by the way, it's a bit of physical discomfort to include feminism.
Personally, don’t spit it out. I think this film is more like capital adding feminist elements to industrialized productions, using the identity politics of feminism as a selling point to harvest a wave of leeks, and many people even have been cut happily. The director and screenwriter give people the feeling that they are awkwardly blowing feminism, and they don't have a little understanding of feminism, just to please the "feminists" at the box office. If it does not involve feminist rights, this may be a mediocre chick movie, with at least 3 passing points, but it is really uncomfortable for capitalism to use identity politics like this.
(So really fast forward to pink capitalism?
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