poetry

Kay 2022-03-21 09:03:09

There are so many things to say, Meizi reminds me of many people, Yu Xiuhua, the protagonists in Russian literature, Jesus and the Virgin Mary. She has an incredible beauty, kindness, and compassion. At the beginning, Miko observed and pondered and still found nothing. She always wrote at the moment when life revealed the most real to her. In the unspeakable great pain in the film, God gave her a rain, washed away the hypocrisy and faced life and death for her. The grandson raped the girl, she sacrificed herself to the old man's employer for the grandson, and it was all female characters who suffered and atonement. There are many scenes and hints like this, and the details are tit for tat, which is why I am willing to believe in Li Cangdong. A person who has love in his heart, he is always cruel when shooting reality. Reality is even more cruel in contrast to love, so love is so precious and rare. This is very important, the era of philosopher kings needs singers and poets. Many scenes in the shooting of Miko are particularly beautiful. There is a lot of tension between the beautiful nature and the painful social background. This is the director who can speak to the camera.

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Extended Reading
  • Blaze 2022-03-27 09:01:20

    Like Sontag, Li Cangdong advocates a kind of "artistic eroticism". The aesthetic experience of "poetry" comes from the generation of sensibility, while the current society reflects a "shocked" experience everywhere, and material reality has become the most popular The main and only sight. What the old man's amnesia forgets is all kinds of materiality attached to reality, people, and thinking. The process of writing "poems" is actually examining the essence of our current life, and using irrelevant, purely emotional perception to feel reality. itself, to rediscover that lost "sensibility". Li Cangdong fully shows the realistic thinking of a poet and intellectual. The scenes of contemplation, standing, and a lot of blank space have become a way of watching and feeling. Li Cangdong completely abandoned the theme of "answer" in the film's representation, but returned to the To seeing, back to feeling. Just like at the end, you don't have to watch the whole process of the girl at all. You only need to feel the blurry footage of the river and water, and how the breath of death spreads throughout the body. The process of experiencing it and feeling it is the power of this movie.

  • Beau 2022-03-27 09:01:20

    101212 The first Li Cangdong I watched, I watched it again. I have always been careful about Director Li. First, because there are few works, I will watch one less, and second, because he is too sincere and easily stinged. . From "Green Fish", "Mints", "Oasis", and "Miryang", the rigidity of the program in the plot is getting thinner and thinner. Even if the previous endings have "expressed" the meaning of the movie, but because of sincerity, these The sense of shield has become an advantage in my opinion. "Poem" is a more light presentation, even if he tells such a cruel and beautiful story