First of all, let me give a conclusion: because not everyone is Shimizu Chong.
Let's compare the original Grudge first.
The original version has become popular all over the world, and the main reasons for its popularity in the word of mouth of passers-by are nothing more than two points.
[1] Chong Shimizu's rendering of HORRORICON's front shaking is excellent (such as the early warning application of bubble sound).
[2] Takashi Shimizu renovated HORRORICON's debut design (such as chin drop, quilt raid, etc.)
In fact, passers-by and audiences didn't notice at all, how Shisui Chong used a very personal co-progress narrative to create a real sense of presence, which had a violent impact.
I didn't notice it at all, in fact, Shimizu relied on the application of moonlight panic and Black Friday routines to Japanese obsessions to innovate the look and feel experience.
Because passers-by and audience just want to be "cool".
And that's the fatal flaw of director Nicholas.
[Unfortunately, it doesn't make the audience happy]
He didn't work on the design of HORRORICON, which was the most attractive to passers-by at all.
However, he is more truthful in the narrative, imitating and transforming the narrative technique of Shimizu Tsong,
The atmosphere also imitates Sam Remy's corpse-like sense of death.
I can see the relationship between this film and Remy Studio and Shimizu Tsong,
But the popularity of the passers-by has completely disappeared, and it has become a very tasteless movie.
superficial.
Finally, the methodology:
[The Grudge] Studio Remy will continue to shoot this series,
It is necessary to re-examine this theme out of the context of the millennium, which is out of date and needs a drastic repositioning.
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