notes

Cecelia 2022-03-22 09:02:57

Eisenstein criticized Griffith's obsession with the concept of parallel montages. Consider "Party and Diversity," which consists of four cross-cut stories, a narrative structure that occasionally returns to the single image of the mother's cradle. These four stories of parallel development finally converge in an epilogue that is presented as a Christian miracle of some sort of dissolution and harmony. Eisenstein criticized Griffith's concept of parallel montages for attempting to The archetypal or mystical image of the unceasingly shaking cradle connects four distinct historical stories. This allegorical image fails to connect the four different stories, because the cradle is not enough to create a meaningful relationship between the stories. The symbolism fails to reach the heights of generalization or abstraction, it remains at the level of tedious realism. More generally, Eisenstein argues that Griffith's montage of parallels is underpinned by a false humanism: the parallels actually conflict with each other.

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Extended Reading
  • Eileen 2022-04-23 07:05:17

    3.5, the pioneer of anti-war films

  • Adolf 2022-04-23 07:05:17

    9.5/10. The four stories alternate, and their common themes are love and tolerance: the annexation of Babylon by Persia, the crucifixion of Jesus, the religious massacre of Saint Bartholomey in France, the conflict between workers and capitalists in the twentieth century , is the story of a young worker who had a relationship with a former boss because of his salary. After the latter died, he was framed as a murderer and sentenced to death. His wife tried her best to find the real murderer to save him). One of the biggest audiovisual highlights is the film's multi-timeline parallel narrative structure (transitions through subtitle cards), and the other is the parallel montage/theme montage (generated by juxtaposing events from different timelines). Both are groundbreaking. In addition, the gorgeous setting and costumes, the scheduling of grand scenes (such as the two parts of Babylon's return from victory and the destruction of the city. That scheduling!), the use of cross-montages (such as the rescue of the young workers at the end), etc. Pretty good. It's a pity that the film itself was born too early, and inevitably there are technical limitations.

Intolerance quotes

  • Auctioneer at the Marriage Market: Any man will be happy with this sweet wild rose - this gentle dove.

  • Intertitle: The temper and rough language of the "wild rose" prove her to be not without thorns.