It turned out to be the first book to be read in an hour in France.
As for the movie, it's very good. The comics do not describe the details. They are all filled with the story in a very realistic and logical way.
The story is very simple, a girl is in adolescence, feeling and confused about sex. Then when I meet a woman who can't forget with a glance in a crowd of people, let alone her hair is still blue, such an eye-catching color.
Therefore, encounters, familiarity, love, living together, unavoidable problems, cheating, breaking up, the pain of falling apart, trying to reconcile, and finally meeting again, found that she is no longer in her world, although the gallery exhibited In the painting, she is all painted.
The film is adapted from a French comic of the same name. It differs from the comics. The main character of the comic should be Emma, while the movie is Adele. The comic uses a lot of space to show how Emma and Adele are together, and the entanglement between the two people is unknown. , And the movie focuses more on the various after the breakup with Adele; the changes at the end, as well as the determination of Adele’s career as a teacher rather than a company employee.
I admire Abdellatif Kechiche’s bold attempts. There is very little movie. In a three-hour length, the first two hours are almost all close-up shots, shooting the protagonist in class, eating, sleeping, masturbating, and making love. , Take a shower, flirt, but don't let the viewers get bored with this technique, without any sense of aggression.
The use of this technique, on the other hand, brings a strong sense of enthusiasm, especially when facing the huge screen of the movie, the entire screen is full of images of the heroine, her eyebrows for Emma, the joy of her eating, She was confused and confused, even when she had sex, she still used close-ups.
It feels shocking.
There are also sex scenes that last for more than ten minutes, which is very shocking. It is not about the content, but the most intuitive way to present it without any soundtrack.
Wanting to come to Adele's life is actually to present this experience in her life in the most direct and clear way. Of course, it is also presenting the love story of two people.
"There are thousands and thousands of possibilities for love to happen. It is a passing moment, a look back in the sun, a certain smell or a clever naughty sentence, but the reasons for breaking up are always monotonous and consistent. It’s nothing more than I don’t love anymore." A
few glances at each other, a few ambiguous flirting, confessed the love between the two, and the regular love movies always prefer to express-"the process of becoming love", often to couples After that, the scenes in life are rarely shown in such detail.
Presumably the director knows very well that the infectious power of negative emotions is far better than simple and relaxed happiness.
Blue is the main color of love in the first chapter, and its function in the second chapter turns into a portrayal of a breakup.
Abdellatif Kechiche has been on the line since the first chapter of the film. The two families have dinner scenes and layouts, as well as differences in dialogue and atmosphere.
Although "Emma went naked to the kitchen in the middle of the night to get milk to drink at Adele's house, so that Adele's mother discovered the relationship between the two", this is a tense plot in the comics into the movie.
But he still picked the turning point very well.
The turning point of the whole movie was arranged by the director ingeniously in Adele to help Emma prepare a gathering of friends.
And at this party, the artist's friends, who are not in the circle, naturally can't go far. At the party, Adele, a kindergarten teacher, found herself an outsider. This cruel discovery is not only reflected in Adele watching Emma's every move in the party from time to time, but also in the camera's timely defocusing of the characters, focusing on the silent film in the background-with the exaggerated expression in the black and white silent film to set off Adele's anxiety. Evasion is the fastest measure that can be taken to deal with the problem. In the party, she can only rely on herself to keep busy, to take care of Emma friends whether to enjoy the party, to prove that she is also participating in the party. For French people or artists, a humorous dialogue or debate is far more important than food. They love food, but they love coffee more.
This is Volkswagen One. And Fuxian 2 later had problems with Emma's work. She ate breakfast on the sidelines, but she couldn't make any suggestions to solve Emma's worries.
The beginning of distance means that indifference invades the relationship between the two.
Emma is busy with her career and has no time to distract Adele, emotionally and reasonably constructing the reason for Adele's physical derailment.
So, like ordinary lovers, they finally broke up.
The part of the breakup is indeed full of tension. Emma's explosion is also Lea finally having his own key scene in the whole movie.
After that, there is a long space to describe the various scenes of Adele's loss of love. Presumably, people who have loved and separated once can feel the lingering and sudden pain from it.
It can be said that it is the best experience film of the year that shows the injured party in a broken relationship.
They met because of the moment the blue wiped their bodies, and in the goodbye scene after the breakup, the two also wore their blue clothes and sat in a blue dotted cafe, and everything was already irreversible,- -If one person is no longer in love, the fate of the two people will come to an end.
At the end of the movie, Adele went to Emma's new art exhibition and saw Emma and her current post. The incumbent is in the gallery as a heroine - the relationship with Emma is equal, and he can weigh the relationship between guests and give Emma a helping hand in his career.
Perhaps at the moment Adele turned around, she understood that she had never found balance in this relationship from beginning to end.
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Remember to see it once In an interview with the director, he said that the breakup of Adele and Emma was actually caused by the difference between classes.
The art circle represented by Emma, that is, the upper class, always talks about art, philosophy, and Emma's family. It is very open and relaxed, and its attitude towards homosexuality is also tolerant.
Adele comes from the middle and lower classes. Her family has no interest or understanding of art at all, and her attitude towards homosexuality is also opposed. At this point, the director used Adele’s family dinner, emma’s conversation between Adele’s dinner, and Adele’s parents celebrating her birthday (the content is also a very simple little family), and even Adele’s In the high school, those classmates' aversion to homosexuality can reveal the differences between the two classes.
However, this movie is so wonderful that the director is completely showing a person's life, always in a neutral posture. (It suddenly occurred to me that the newspaper le monde is the most neutral in France, although it is slightly to the left.) Of course, it is also evident that his love for Adele is a careful portrayal of the transformation from a confused girl to a strong woman.
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Give five stars because there has never been a movie, Can give me more than expected under the premise of excessive expectations.
When I walked out of the cinema and went to the street, facing the streets of Paris, I didn't know where to go.
The feeling I had forgotten, I found myself in an instant.
Everyone’s story is different, but there are always clues in life that can connect an emotion.
The inspiration from this movie is that a good movie, it only presents life in the most reductive manner, but it brings the viewers into the world of the movie, the protagonist. Her world and her story are just an entrance, and it is "my world" or "the life we have or will experience" that finally touches the viewers. It is that part of me that completely moved me. Or, I have seen myself in Adele.
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In fact, it has been a few months since this film review was finished, and I watched the film a few times in the middle. And I also watched some film reviews from my neighbors around me.
A lot of discussions are about the cheating between Emma and Adèle.
1. In a relationship, there is no one who is directly and completely responsible, just as two people will be together. It is by no means the result of one person's unrequited love, and breaking up is not entirely the fault of the other person.
2. Why do they blame their breakup on the different classes?
For example, I learned art history in Paris, and I just started to visit the Louvre. I saw countless art treasures in front of my eyes. Apart from the wow, there was a sense of shame on the surface, and my classmates were discussing it. , Poussin and Rubens, I’m embarrassed that I don’t even know anyone, so who can understand. No matter how hard you want to join, at least you have to learn art history first to understand who they are and what they have done.
After studying for a year, and after seeing countless exhibitions, the value has changed. The value is not the change in values or outlook on life, but the focus.
My life revolves around art, movies, and music. I watch exhibitions to better study and expand my life, and the friends I make this year are also in this circle.
Then, my former friends came here a year later. We changed from being very good friends to being very good friends, and we don’t know what to talk about when we meet.
It's the result of people changing.
Back to the story.
When two people are together, a high school, a university, the world is very small for young people, study and love are everything.
After work or more mature, one is a kindergarten teacher, the world is still the same, not expanded, and the other is an artist.
If an artist stops expanding her world, her life will be over.
Expansion is doomed to infinite expansion in her life, to contact different people, different knowledge, artistic concepts and philosophies.
If there is a relationship and the two cannot be synchronized, how can they walk smoothly until the end of life.
In this relationship, it can be said that Adele has not changed. He has always loved Emma so much,
but Emma has changed. But who can blame her?
The relationship between the two has always been irrelevant to the moral level, whether it is a mental derailment or a physical derailment, if it had not been for the relationship that had already cracked, it would not have achieved such fruit.
When it comes to class, art has never belonged to the masses. Since its birth, it has always been the top plaything of the social pyramid, and the artist is simply serving that class of people.
And the teacher is for everyone, there is no distinction between high and low, a great profession.
Just like Emma in the movie, her love and non-love are loyal to herself and will not worry about others. And Adele, just like the professional setting of a teacher, from the family, from the self, to sacrifice oneself.
The film setting is inherently hierarchical, and this is where it is higher than the original comics. Why don't they come from two families and majors of the same level?
Of course, love can happen in any situation.
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