If everything is difficult at the beginning, how about the end? The story is still quite complete. The ambiguous line of the main cp at the beginning is very suspenseful and heart-wrenching. After the big low tide paragraph, the sudden but reasonable mutual confession near the end is also successful. However, the writing power of the middle story is insufficient, the description of the change of the protagonist's mentality is slightly conventional, and the transformation of the character's mentality is not portrayed smoothly enough, too crafty, and changed for the sake of change. The director highlights that the male protagonist's contradiction between "living in the ordinary world" and "being yourself under pressure" is mainly through the description of the male protagonist's behavior and attitude on the bg line to express his struggle. However, the large-scale description of the bg line is lacking in expression. It is better to put more ink on the bl line. Excessive explanation of the bg line, the male protagonist's love for the female protagonist is clearly explained, but the love for the boys is too little, resulting in the depiction of the male protagonist, as if only coveting the boy's beautiful body? On the contrary, the love for the heroine is spiritual. So, isn't the propaganda of "love is love" and the propaganda of "love is the person, not the gender" putting the cart before the horse? The most successful emotional line has become a vice cp instead. Slightly vulgar setting, but the portrayal is still good. A campus character with a perfect personality, Miss Aojiao, an optimistic ghost horse, and a campus group of mocking characters who have their own small world is quite sweet~
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