Maybe because of age, the perspective of the girl's mother has always been substituted. Very entangled, is this kind of film suitable for recommending to my underage daughters and juniors?
Life and death are undoubtedly moving, and the mutual assistance between monsters is also beautiful, but the unconscious gaze of the young girl (the girl facing the camera emphasizes the back buttocks and legs), the performance of the welfare camera (the girl hanging on the tree showing her panties) is still let go. People are uncomfortable.
The innocence of Romeo and Juliet's love is largely because the Platonic love of the same class, race, and age is blameless and sympathetic even from the perspective of feudal ethics. But if any of these variables are replaced by negative factors, the consequences will undoubtedly be terrifying. For example, what if there is an excessive age difference between Luo and Zhu? What if Luo had vaguely pedophilic tendencies but Zhu was only a young girl? The most fearful thing is that the little girl will carry the bitter consequences of kindness or love to spend the second half of her life shrouded in haze because of her gullibility.
Speaking of the film itself, the witty accordion pieces add a lot to each intermission plot. The use of this kind of orchestration in theater animations is still relatively rare. However, the art design of the supporting monsters and the animation performance of the main characters still need to be strengthened. Although the stylized design and performance are effective, they can be better.
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