Although the journey is false, the characters and historical environment settings must be true!
The truth is too real, but it is simple to say. Traversing is not more true of relativity and quantum theory, but it makes idiotic men and women continue to fall in love in another time and space that we are interested in. Therefore, we will not entangle scientific theory at first, but entangle the shaping of characters, the shaping of various reactions of characters in the historical environment. China's traversing drama is actually an important branch of the YY genre. Corresponding to this, there are literary genres such as Stallion Wen, Mary Su Wen, and President Wen. Therefore, it mainly tells the story of how some protagonists with low and young personality traits use some anti-natural, anti-logical and anti-human methods to rise to power. This comforts young people who are growing weak and hopeless to counterattack. But it also makes this type of content pale and weak in characterization, and the plot advancement is out of the unreality of specific historical details.
In the play of ancient warfare, I basically did the following homework very seriously.
1: The protagonist’s skills and mental preparation
before crossing 2: The protagonist’s ultimate fate setting and goal setting in the diversity stage after crossing
The beautiful wife was a field nurse before crossing. She has the skills and psychological qualities, and she has the natural soothing ability for soldiers, so she can be suitable for survival in the ancient battlefield and will not be scared to death in the first episode. This is the basic logic for this story to continue. The ultimate goal of a beautiful wife is to go home and return to her husband. This is a proposition throughout. Under this proposition, the audience will find that because of passing through this hypothetical premise, they begin to think, where is the home and what is the home, and how specific is the husband's love? Do you depend on the British or the Scots in order to return home? These are family emotions and social public topics that modern people are interested in participating in when they have a cold. They are easy to arouse thinking and resonance. The most important thing is that they have more sense of substitution. The operation of domestic crossing is like this: the ultimate proposition is actually to conquer and plunder, harlot wives and daughters, and be an extremely human minister. Then, in the name of transforming society, he dreamed of the spring and autumn dream of restoring China to the country. What a fucking silly and fake. One compares the judgement.
3. The conflict between personal goals and the big era.
What do you have about crossing destinations that we don't know?
On the way home of the beautiful wife, as a stranger, she witnessed the conflict between England and Scotland at that time, as well as the confrontation between ignorant civilization and modern enlightenment. The author has done a lot of meticulous work, and integrated some historical events into the protagonist. For example, in the sixth episode, she asked the British army to escort him back to the crossing point to try to return. The clever Black Jack questioned his true purpose and used him to betray the Scots as a witness to the fundraising revolution. She has studied history and knew that the Scots will lose this time, but she never expected that the author made her one of the key points of failure, whether to see her husband back for herself, or let the Scots fail because of herself. This is what the fuck is the conscience of the drama, the characters are related to the real historical evolution. But the logic of history restricts people's choices. This is called conflict. It is interesting to let the audience participate in the plot of the decision. In this way, our country travels through the Tang and Song dynasties casually, and becomes rich in business casually. This is called a game strategy and it is not a serious script. There is no conflict to watch wool.
Another important setting for couples in ancient warfare is: one is a historian and the other is a female nurse in the field who was brought up by an archaeology professor, so the audience can use their historical knowledge to observe some details of that era. There are some basic understandings of the macro-political situation. Make this historical journey more colorful. For example, the herbal medicine of that era, the daily management of the city-state, and the fund-raising activities of the Scottish opposition. The more real these details are, the more real the protagonist's efforts will be. So I want to write a traversal drama, and get some historical knowledge that Baidu search knows, and some personal opinions and historical details that we don’t know can be called a real traversal drama. The service target of Chuanchuan drama is history enthusiasts, and it serves Internet users who are as familiar with Baidu Google search as the author.
4. The shaping of the villain, are you great if you are a modern person?
I have seen several traverses, and basically have no impression of the villain, either incompetent or without personality description, I just remember that the protagonist is amazing. In the drama of Ancient Warfare, the British army squad leader, who suffered from straight male cancer and darkened his soul with dark lesions, was portrayed as flesh and blood. First, he had a high IQ, secondly, Kong Wu was powerful and brutal, and then he was the ancestor of the heroine's husband. Wow ha ha ha, I think the villain is much more interesting than the protagonist. The heroine's little tricks and great modern concepts are played around by the leader of the team. I really look forward to how to continue to fight wits and courage in the future.
Why must there be a high-level villain in Crossing? You think you've gone through it, you opened up and cheated and came to this world with a cheat sheet. If you want to be invincible, don't the audience know the end? You are so happy and the audience still entangled for you. But it doesn't seem to matter to the immature audience, just watch a show. Come back! Sooner or later, the minds of the audience will mature, and as far as I know, the IQ of some audiences has already surpassed the domestic TV drama practitioners by a lot. During this struggle, there is no villain to bully the protagonist and devise a few quality conspiracies. Our smart viewers will not buy it. And the world is very fair. Smart audiences only watch good dramas. Smart audiences have more influence on Weibo, WeChat and even traditional media than younger audiences. This is indeed an indisputable fact. Who makes more money? Who wonderfully influences the media content?
In the end, crossing this subject is a lie, but if you want to make a mature film and television drama, just buy the copyright and make a picture that the active readers know will be successful? At present, those characters are immature and the drama conflicts are boring. Use your mobile phone to scan the plot, and the time to pass the fragments is up. If it is really made into a TV series, it will be over by just passing through the past?
Whether it’s traversing, palace fighting, or fantasy, various elements and bridges are a combined work. The novel can be inserted to the end with one clue, but conceiving a basically watchable and good-looking drama is like building a castle and designing various functions. And the theme house, combined into a set of castles under certain rules and design ideas, and then for readers to experience and adventure during the journey, and even live in it as a spiritual garden for a lifetime.
I wish the people of our country, who are proud of their history, have a conscientious transcendence drama to watch.
View more about Outlander reviews
