Aftermath of the Revolution

Timmy 2022-03-21 09:03:15

The Mexican Revolution with the participation of Irish revolutionaries.

It feels like the film is exploring why revolution is necessary. How to be considered a true revolutionary. John participated in the Revolution in Ireland, experienced friendship, love, betrayal, wandering. He met Juan in Mexico. While he managed to get the bandit involved in the revolution, Juan had his own questions about the revolution. He was tired of the so-called revolution that changed like a wheel, and he was unwilling to serve as cannon fodder for these so-called revolutionaries. But he was infected by John and was willing to follow him through life and death. Disheartened, John, who has experienced betrayal again, decides to go to America. Inadvertently, they were involved in another battle and killed the dictator and his accomplices in the uprising. In the process, he had doubts about the betrayal again. Whether the betrayers were good or bad, these people were all before the betrayal. His close friends, and then faced death without hesitation, their betrayal was not because they were afraid of death, but because they could not bear the torture. John re-understood these things and these people, and the revolution became more obscure. His battles became a personal grudge against the dictator and his accomplices, far removed from the original purpose of the revolution. In the film, through John's eyes, see the city under the control of the dictator, opponents are shot, insurgents are shot, innocent people are slaughtered for no reason, but in the later part of the film, it is still through his eyes, see. The thing is that the victorious insurgents drive the losers together and massacre them. All this left him confused about the meaning of the revolution. There are four flashbacks of John in the movie, the first four are the friendship of the three people, and the second three are the friend's betrayal and his resistance. This may be the different nature of revolution. However, the author of this film is not very optimistic about the revolution, but he has not found other ways to make social progress and change people's ideas. At the beginning of the movie, Juan urinated on the busy ants under the roots of the tree, which may be his point of view.

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Extended Reading
  • Xzavier 2022-03-25 09:01:21

    "—you'll pay for it, I'm a citizen of the United States.—to me, you're just a naked bastard." There were people around the table talking about eating and drinking, people being shot, and that was the revolution. One of Leone's most underrated works, with a bloody romance that is completely different from the previous work, blooms the ideal flower in the tender town of flashbacks. (Jiang Wen's "Let the Bullets Fly" is probably inspired by this)

  • Xzavier 2022-01-29 08:06:06

    It seemed that I always stared at Leone's NB style, and now I noticed that the old guy's narrative ability is also good. Just a few flashbacks without a trace of dialogue can explain Cobain's previous experience clearly, and the amount of information is more complete every time, and the emotional substitution is stronger every time. The bank section is also a highlight section, as usual, there is no dialogue, but the dramatic effect is unparalleled.

Duck, You Sucker! quotes

  • Juan Miranda: What kinda work you do for the German? Listen, I asked you a question. What do you do for the German?

    John H. Mallory: I've been looking for silver.

    Juan Miranda: Silver? You know something? I don't understand you. I don't understand how you waste your time and your holy water looking for silver. To me, that's a sin.

    John H. Mallory: Do you have any better ideas?

    Juan Miranda: Si, I think gold is better than silver.

    John H. Mallory: Ah, there isn't any gold in these hills.

    Juan Miranda: Oh ho, yes there is! In Mesa Verde.

    John H. Mallory: Mesa Verde? It's a city.

    Juan Miranda: Of course it's a city! Who ever heard of having a bank in the country, huh?

    John H. Mallory: Uh huh. A bank?

    Juan Miranda: Not "a bank." *The bank!* The most beautiful, wonderful, fantastic, gorgeous, magnificent bank in the whole world! When you stand before the bank and you see it has the gates of gold, like it was the gates of heaven. And when you go inside, everything, *everything* is gold! Gold spittoons, gold handles, and money, money, money is everywhere. And you know, I know 'cause I saw this when I was eight years old. I went there with my father. He tried to rob the bank, but they caught him. But they will never catch me, eh, Papa?

    Papa Miranda: Right.

    Juan Miranda: Listen, Firecracker. Now you listen to me... listen, why don't you come with me, eh? And we will work together... and we will become rich.

    [chuckles]

    Juan Miranda: What the hell is your name?

    John H. Mallory: [wearily] Seán...

    Juan Miranda: What?

    John H. Mallory: John.

    Juan Miranda: What is your name?

    John H. Mallory: John.

    Juan Miranda: [laughs] That's fantastic, that is incredible, eh! My name is Juan and yours is John! It's Juan and John, eh? Heh, heh!

    John H. Mallory: So what?

    Juan Miranda: What do you mean, "So what?" Can't you understand that is... that is... the... oh... ah... destiny.

    [John remembers his girlfriend and friend]

  • Juan Miranda: Hey, what kind of trouble you in?

    John H. Mallory: Oh, we had a wee fart of a revolution in Ireland.

    Juan Miranda: A revolution? Seems to me the revolutions are all over the world. You know, they're like the *crabs*! We had a revolution here. When it started, all the brave people went in it, and what it did to them was terrible. Pancho Villa, the best bandit chief in the world, you know that? This man had two balls like the bull. He went in the revolution as a great bandit. When he came out, he came out as what? Nothing. A general, huh? That, to me, is the bullshit!