Otomo Keyang's works are also full of imaginative imaginations, but his imagination is "soft". He deliberately downplays the technical descriptions and concentrates on the characters.
His works are not the kind of animation without logic. In his works, he always gives the audience more or less an explanation, a logic.
The above is what I like about Otomo Keyang's works. Let's talk about the "Memory" trilogy.
Very good work, but I think many people will like one third or two thirds of it, because the three parts in it are quite different in style from each other.
The first one, "Her Memories", the petty bourgeoisie or the post-80s generation will definitely like it, because it has amazing visual effects and that kind of mood.
The second, "The Stinkiest Weapon," is ridiculous and exaggerated.
My favorite is the third one, "Street of the Cannons," which is full of allegorical and not out of touch images, and you could call it a documentary.
Again, the benevolent sees benevolence, and the wise sees wisdom.
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