1/50 Franz We are all stupidly celebrating the deaths of our children.

Summer 2022-09-27 16:28:13

I know that when reading literary works and watching movies, I should keep myself as open and inclusive as possible, and don’t let my subjective prejudice and narrow-mindedness affect the overall viewing experience. I understand the anti-war idea that the director wants to advocate, but I still feel a little disgusted at the moment when Anna and Adrian kiss.

Anna and Franz have known each other for many years, and even became a widow after their engagement. I understand that Anna has always been unhappy in her heart and may need someone to lead him out. Living with a lie is indeed difficult. After experiencing the idea of ​​suicide, it is still acceptable to go to Adrian. After all, everyone will be emotionally moved. But wanting to be with Adrian, or even kissing on the platform, I really can't stand it.

Knowing that Adrian is the murderer, whether it is on the battlefield or not, whether Adrian is helpless or not, Adrian's way of trying to redeem himself through deception after killing people makes me feel that I can't convince me. By myself, do the same thing as Anna. We can't decide who we like. But what to do with this love is something we can do. Anna, you need to come out and start a new life, but there really shouldn't be Adrian in the new life, it's torture for both parties. I don't like reckless kisses in front of the station platform, looking at the sad and beautiful parting, but in fact, it is a silent injury to the fiancee. The harm this kiss did to his fiancée was definitely not caused by the war, but by two people who made mistakes that all men in the world would make.

So, at the end, in the back before "Suicide", I never expected it to be Adrian. I like Anna's new life, the final color transition is what she brings to herself.

Although I have some criticisms about the two people's actions, the film as a whole is really good. First of all, I know this film because of Pierre Nine. After watching it, I realized that it was the work of director Francois Ozon. , The switching between black and white pictures and color pictures is very skillful, especially in a scene where two people are drilling through a tunnel.

There is also the imagination of Franz, which is also a colorful picture. This color really can't help but revere the beauty and rhythm of life, the vitality and vitality brought by family and (non-existent) friendship.

My favorite of the whole movie is this:

"Who sent the children to battle? It wasn't us, their fathers. We celebrate here with beer when we win and kill the French children; when the French win and kill our children They were celebrating over there drinking wine. We were all stupidly celebrating the deaths of our children."

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