They got out of the car and found a house in a desolate field. Irene and Kep wanted to answer the phone and call the police. The step that Irene stepped into the house was the beginning of the nightmare.
That’s right, the chain-saw murderous and perverted family lived in this house: the beautiful and evil old woman, the old man with broken legs, the violent fake police, and their distant relatives (it seems to be) the fat aunt, the sisterless sister, and her. Coming little baby.
A total of four people, except for Irene, were killed.
It was completely read with trepidation, but fortunately, Irene finally escaped the clutches of the Huvis family.
The most memorable scenes in the movie are not the bloody murder scenes, but the fat aunt in the tin room. I always remember her, isn't that a real person? I think she is so fucking weird, and the girl with no eyebrows, her dreamy language, and a weak and weird smile. In the past, when I saw Hollywood remake Japanese horror movies, I always sneered at this. I thought that the United States would never make horror movies like "The Grudge" because the Americans are not scary enough to watch. It doesn’t look weird at all. The American version of "The Grudge 1" is a good proof. Anyone who has watched "The Grudge 1" should remember that old lady with sluggish eyes and horrible treacherous eyes. There is also such an old lady in the American version. But please imagine that an old woman with gray hair, dirty pupils, pale and cracked lips, and a large kimono was abruptly replaced by an old American girl with red hair, blue eyes and lipstick wearing a suit. There will still be Is it a horror effect? But now that I can see it, it turns out that Americans are strange and terrifying.
The environment of the film is very well used. The cold Texas sky, dark green weeds, gray old wooden houses, greasy and bloody slaughterhouses... these treacherous, cold and decadent scenes all make people feel intense despair. All thoughts are ashamed, extremely depressed, as if suffocating.
At the end of the film, Irene sits in the driver's seat and smiles at the baby snatched from the tin room. Then, the camera turns to the back of the car, the car starts, and disappears into the depths of the night.
This is one of the clips that touched me the most. This warm shot instantly broke the horror atmosphere created before-Irene's human beauty was vividly displayed at this moment. She did not want this baby to be in such a perverted environment. He grew up and became another bloody murderous demon, so he took him away, escaped from this dark corner not favored by God, and embarked on a radiant home.
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