Want to see alien creatures lurking in human society, there are strange shapes (1982). I want to see the collapse of society in the face of biochemical disasters, 28 weeks of shock (2007). If you want to see human beings kill each other, there is a series of human removal plans. For descriptions of competitive sports, there are The Matrix animated version and Redline (2009). If you want to see the grand war scenes and the conflict between the two major groups, there is the Lord of the Rings. This animation theme is not innovative. Almost all of the elements involved are more brilliant than it.
The style of painting makes it impossible to substitute into the plot. I don't feel the horror of the demons at all. You can't feel the tension of the doomsday cataclysm. The emotional expressions of several people in the protagonist team are not resonant. The scene where the heroine is murdered should be one of the most important points of the show, but the animation effect that seemed to be made by an intern in an unknown small workshop made me feel almost no waves in my heart.
Many of the descriptions in the first half are confusing and even conflicting. Meizi thinks about the male lead and then zw, but there is absolutely no description of their feelings in the back. Ming Heliao had a fierce confrontation because of the heroine's problem, and the two got along well again when the scene changed. How to resolve these conflicts was not mentioned at all. Ming has always been portrayed as someone who cares more about others than himself, but... now: I killed all those passersby. Ming: Damn why! A: It's all for your own good. Ming: Oh that's it, then forget it. In addition, as a host in the female host's family, how he handles the broken relationship with his parents and the relationship with the host family members is not mentioned at all. There is no sense of disobedience even if the setting is directly changed to the male protagonist being his own.
The most deadly point. Too much pandering to American audiences. Remember those Chinese elements that appeared in imported commercial films released in China? The characters with Chinese faces appearing inexplicably, but they have no influence on the plot at all. Or some regional dialects that are abruptly inserted. One of the strongest feelings this animation gave me is that I, as a native Asian audience, are not their target audience. It seems to tell you that the whole story takes place in a certain city in the United States. Straightforward picture representation for nudity seqing. Large-scale descriptions of sports scenes and characters. Rap, beatbox. The store clerk called the police, and the street teenagers were "focused on" by jc. Carrying guns and even fighting became routine. Christian background families and adopted family members. Various references to Christian teachings, even the theme is God Fang vs Satan & Demons. Also, Ming's alpha behavior after becoming a demon made him extremely popular in his school.
It is normal to introduce some kind of element. The question is how do you get the audience to understand this element. Because only when the audience understands "what is this" can they have their own interpretation. And this animation assumes that all viewers are familiar with what is happening in the American context. This has caused many people to have no way to substitute this story, "no feeling". EVA is full of biblical and Christian interpretations, but these "exotic" elements ultimately serve a larger theme - adolescent/younger psychological growth and obstacles encountered. And this animation is like smashing an original Bible straight into your face. There is no cause and effect. You can't understand or empathize and I won't explain more.
A star waters the flowers downstairs in the apartment. Another star is for the earrings given to Miki by the boy with a gold chain.
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